Revolutionizing Event Design and Inclusivity with Google's Megan Henshall
Episode description
Is it true that the louder, brighter, and flashier the event, the greater it will be?
In this episode of Great Events, host Rachel Andrews is joined by Megan Henshall, Google's Global Events Strategic Solutions Lead. They discuss the powerful intersection of technology and inclusion in the events industry and how to prioritize radical inclusion, ensuring everyone feels valued and safe at your events.
Megan introduces the Neu project, which is focused on creating spaces for neurodivergent individuals, and shares actionable tips for integrating their needs into event planning.
Here are some key takeaways:
Incorporate explicit language around neurodivergent needs in your event registration and communication. Educate yourself and your team about the neurodivergent experience to develop empathy and inclusive design strategies.
Offer quiet spaces, sensory kits, and tailored experiences to create event environments that balance sensory needs and cater to a diverse audience.
Instead of aiming for universal design, focus on cultivating a range of choices that represent diverse communities. Use tools and resources like those developed by Storycraft Lab and David Allison to design for belonging, and consider piloting these frameworks in your events.
The hybrid set-up has definitely helped individuals with neurodivergent, sensory processing differences, and social anxiety enjoy these events without the added stress of attending them. Megan shares her goals with the Neu Project and the road to a more inclusive events industry.
Things to listen for:
00:00 Meet Megan Henshall, Global Events Strategic Solutions Lead at Google
08:26 Event professionals adapting to crisis
10:43 TED Talk on value and purpose in work
18:42 Balancing entertainment and practicality in event production
25:54 Creating a sense of belonging at events
30:35 Google powers and funds research
37:11 Megan joined to support and collaborate with listeners
Meet your host
Rachel Andrews, Senior Director, Meetings & Events
Meet your guest host
Megan Henshall, Google's Global Events Strategic Solutions Lead.
Additional Resources:
- Hover to magnify & discover insights on Belonging
- Creating space for every mind to shine
- The Wild by your side: Leverage experience design for your impact project
- Google Xi CoLaboratory brings ‘design-thinking sprints’ to IMEX Frankfurt
Megan Henshall:
This is controversial, but I actually think universal design is a misconception. I don't think you can design one thing for everyone, and I think when we try, it's actually for no one. What we can do is cultivate choices that are representative of everyone.
Alyssa Peltier:
Great events create great brands, but pulling off an event that engages, excites, and connects audiences, well, that takes a village. And we're that village. My name is Alyssa.
Rachel Andrews:
I'm Rachel.
Felicia Asiedu:
And I'm Felicia.
Alyssa Peltier:
And you are listening to Great Events, the podcast for all event enthusiasts, creators, and innovators in the world of events and marketing.
Rachel Andrews:
Hello everyone and what is going on in this wide, wide world of events? My name is Rachel, and I am your only host this week, on this week's podcast, Great Events.
I'm really excited, this week, we have a major, major power player coming on the podcast to talk with us today, Megan Henshall, she's the Global Event Strategy Lead at Google. We are so excited to have you. Welcome, Megan.
Megan Henshall:
Hey, I'm so happy to be here. Thanks for having me.
Rachel Andrews:
Yes. Awesome. Megan and I have met a few times in industry settings, and I'm sure some of you listening have met her as well. She's at a lot of industry events, specifically IMEX a lot, and she is all over social media, doing amazing things with Google and their event design projects. You all will be completely blown away by all the things that Megan and her team, and the team at Google is doing, with being innovative, and we wanted to share some of that stuff with you today.
So, for all you listeners, get excited, there's a lot of great tips and tricks and tidbits and things, and projects that they're working on.
But Megan, I'd love to just start with your intro. Just tell our listeners a little bit about your role at Google, what you do, and then we can dive into more of your career journey.
Megan Henshall:
So, I lead strategy for the global events team and really what that entails day-to-day is partnering across many different product areas at Google. Google is broken up into different business units, that all operate radically differently, but to really understand from a senior leadership perspective, but also a Googler perspective, individual business units, how events and experiences drive revenue for our company. And what other collateral value they add, so community building, cultural continuity, culture.
So, I partnered to understand all the different ways in which events are a tool for our organization, and then I put forth an annual strategy for our amazing team of global event professionals. And that includes a point of view on our spaces, because we do have a lot of our own event spaces, that range from multi-venue event centers, all the way down to bespoke learning and development environments, the technology infrastructure inside of those various spaces, as well as our operational model, so how we support and program and serve in those spaces.
So super fun job, super big job. I think all in, our team does about 75,000 events a year plus. So, every use case you can possibly imagine across the events ecosystem, and we also lead an innovation incubator. So, super future looking, called the Google Experience Institute, and that's really to help us get a finger on the pulse of what's emergent, and what's coming down the pipe, and how we should be thinking about all of these things for the future.
So yeah, I'm excited to share some of the work and get into it.
Rachel Andrews:
That's awesome. Yeah, that is totally, totally cool, and I feel like a lot of our listeners could totally nerd out with us right now, because we love this kind of stuff, and using what you've all built in some of your incubators, I think, is really helpful, especially for forward-looking people. A lot of times we forget to be forward-looking sometimes, when we're inundated all the time with execution. And it is important to remember the strategy piece. And it's exciting and wow, can we just give a moment of silence or a moment of applause for the 75k events they do a year. Holy cow. That is just incredible. Incredible, incredible.
Well, how did you get into this? I feel like, when I'm in the industry and I'm looking at these people that have these really cool, really big, high-level jobs, I'm like, "How did they get there?" Because I feel like that's so interesting to know. How you got into events? What drove you to strategy? Tell us that journey.
Megan Henshall:
I feel like I wasn't intentionally moving in any one direction. I sort of stumbled into my life, in a lot of ways, but I started my career in sales, enterprise technology sales. So I was literally in a call center. And fun fact, I was one of six women in a department of over a hundred. I was really bad at sales, long story short, horrible at it. And so I asked if I could do content development, and regional sales meetings, like executive briefings with customers. That, I was good at.
And so that's really how I got into events, and fell in love with it, fell in love with the aspect of designing with other people in mind, fell in love with bringing people together, and watching the spark that happens when you do that. Fell in love with the opportunity to solve big problems, by bringing people into shared physical space, which we need that now more than ever, right?
So that's how I got into events. And for a long time, I did individual projects, and worked agency side, then I freelanced for a while. And after I had my son, I knew I wanted to land back full-time with a brand, and that's when I applied for the Google job, and was really excited about the prospect of doing macro strategy for an organization. Was, I'll be honest, very unqualified for the job at the time, but grew into it, and now it's evolved to be even more than I had hoped back in 2018, so I feel very lucky.
Rachel Andrews:
That's awesome. Yeah, I got to say, shout out to all the salespeople, because I don't know how they do it. I really don't. I can barely ask people for a hotel room sometimes, I'm like, I can't even ask people for things. I can negotiate contracts. I don't know what it is about asking somebody to buy something. It's just ... it's hard.
Megan Henshall:
It takes a certain level of charisma and personality that I just do not have. I get really awkward.
Rachel Andrews:
That and just perseverance. Not getting discouraged every day, because they hear no way more times than they hear yes. And as co-solutions people, I am definitely like a ... I like to solve problems. I do better in the problem-solving world than that.
But anyway, talk to me about macro strategy. So I think, when I'm talking to other people or speaking at a conference or something, and people always ask, "How do you get more strategic in your role? How do you find time to be more strategic? Where do you even start?" Being this buzzword of strategic, we always say, "Hey, in order to get more senior, or in order to have your C-level or higher ups take you more seriously, how do you get more strategic?" And I always say, "Data," but then they're like, "But how? How do you use data? What do you use?" And I think it's a really interesting conversation of that role for other people, because inherently I think event profs are strategic. We are many CEOs in some cases. We're business owners of our particular event budget, or particular event tactic overall, or global events program in some cases. How do you get to that macro strategy lens for an events program?
Megan Henshall:
I think we talk a lot about strategy in the context of crisis management and innovation, and I think all of these things require the same skill set. So if you can plan and crisis manage, which event professionals are chef's kiss at, you can also do strategy at any level, and you can innovate. The difference between crisis management strategy and innovation is, they exist on different time horizons.
So crisis management is right now, today, so there's an imminent urgent need I need to solve. Strategy is just looking a bit ahead, using data and insights, being a little forward-thinking, trying to figure out what's emergent. And then innovation is all right, what's even beyond that? And it's sort of breaking outside of what is day-to-day, to think about what could be. But all of these things, event professionals can do, because they're doing crisis management and short-term planning in such a meaningful powerful way.
So I think for us, strategy started with a lot of just getting back to the fundamentals and basics during the pandemic. That's when the Experience Institute started, and the whole role of that effort and initiative back in 2020 was to understand what people would need and expect and want from us, when we started to regather post-pandemic. What would people's priorities and expectations and appetites be? What would their boundaries and tolerances be?
And that was such an interesting way to become more strategic, because we went back to the basics, and we tried to really understand people again, and understand people in a very new context and paradigm, and it has completely changed the way I think about my job. I don't think strategy has to be this big, complex thing. I think it can actually mean getting back to really basic fundamental things, and just thinking about them slightly differently. We all can do that.
Rachel Andrews:
Yeah, for sure. It also could come down to looking at your program types, and simplifying or categorizing them. I think people think of this data or strategy position, as on a pedestal, like, I want to get there one day. It's like you can. It's probably easier than you think it is, if you just troll down into why are we doing this? Why are we doing these events? What is the outcome we're desiring? And you really look at the beginning ... like you just said, the beginning stages of event design, or why are we doing this for the people that we're putting these on for.
At the end of the day attendees, they're inherently selfish, but in a good way. They are coming to an event for them, to get something out of it, for their career, or maybe it's professional development, maybe it's networking, maybe ... whatever it is. Find out what those things are and then make sure your event's tailoring to that, and make sure that it also aligns with your company's brand plan. A lot of people, when they're in the execution phase, they don't think like that. They don't think, "Hey, I need to drill back down. Are we doing what we said we were going to do in our goal planning?"
Megan Henshall:
Yeah, this is a whole TED Talk. I'd watch your TED Talk.
I think this is such a valuable point. It's something we talk about a lot in our work is, to what end are we doing these things? What are we solving for with them? If nobody's asking for it, and if it's not solving for something, whether that be a human need or a business need, why the heck are we doing it? Are we doing it, because that's just what we've always done? Are we doing it because we want to do it? And I think that's really interesting, too, in a strategic role. When I first started at Google, a lot of the things that I was good at, I wanted to bring here, and square peg round hole it, because it felt comfortable and familiar to me and I'm like, "I can check those boxes really easily." Nobody here wanted those things.
So I think we constantly have to assess, are we making the decisions we're making as experienced designers and event professionals and strategists, because they feel comfortable and good to us, or are we actually looking at who we're designing for, and making those decisions on their behalf?
Rachel Andrews:
Yeah, definitely could be a TED Talk. I feel like ... and people probably can empathize with this, but a lot of times we do things because our leadership teams want us to do it, and then we're fighting tooth and nail to get people registered, and it's like, "It shouldn't be this hard to get people registered, if it's something that people want to go to." I'm not saying that about any one particular event that I do now, or just in general in my career, that's always been the case. And it's like, if you just go back and look at your target audience and what they want, and then try to align that with what you're trying to accomplish, then you'll do a hell of a lot better.
Let's talk about some of your initiatives, because I think that that's really, really cool. I saw you all at IMEX doing your XI CoLab. I would love to just dive into that, but I'll let you take the reins here, because you have so many different innovative ways that you're looking at event designing, and tools that you're building, but also evolving on the fly, right? Talking to a lot of people about what you're doing, and taking their feedback and implementing it.
So take us through some of the stuff that you're doing with Experience Lab and, maybe for our listeners just explain it a little bit of what that actually means.
Megan Henshall:
So I mentioned, we started the Experience Institute back in 2020. Weird time to try to get an innovation incubator off the ground, because we were all stuck in our houses in our PJs, but, in so many ways, it was the perfect timing for something like this. And it started with three or four Googlers, cross-functional, just trying to understand what the changes of the pandemic would be on our industry, on learning and development, events, experiences, hospitality.
And as we started to see emergent trends in the data, in the insights, as we started to host focus groups, some really interesting things started to come up, like that we had been leaving a lot of people out for a really long time, not intentionally, but events were certainly not as inclusive as they could be. They still aren't. That a lot of the things that we're doing with environmental design are actually making events less inclusive, and less, in an ability to cultivate belonging for people.
We started to outreach externally. I acknowledge that there are a lot of smart people at Google, but certainly not all the smart people, and there are a lot of other brands and organizations and disciplines who are doing really cool work around experience design, different dimensions of design, and so where we started with about four Googlers, we now have a global community with lots of other brands, lots of other disciplines, like architecture, folks from academia, researchers, LARPers, magicians ... we have all these really cool people. Over 300 folks are now members of this community, and we really are an interdisciplinary collective, trying to drive toward the best possible features for events and experiences.
And I think the mission really is to use events and human experience as a tool to fix big problems, not just problems for our organizations, but problems in the world. And I think we can agree that the significance of human connection cannot be overstated in this moment in time. And I think as we navigate a time that's marked by rapid technological advancements, and a lot of social and cultural issues, that brands have a unique opportunity and a responsibility to lead the charge in preserving human connection, and innovating ... yes, with maybe some new things, but also through reclamation of some of the things that we've lost.
And so that's a lot of what we talk about, and a lot of what our projects are centered on. So radical inclusion, designing for belonging, making sure that we have diverse representation when we go into a design process, whether it be for a space, or for programming for an event, that we're looking at technology through the human lens, and that it's supporting human connection, not distracting from it.
So these are all conversations and work that we're doing with lots of partners around the globe. I'm super proud of it, and I'm regularly in awe of the people that I get to meet and talk to through this work. So it's been really fun.
Rachel Andrews:
Oh, my gosh. So that is super cool. I think that you touched on a lot of things that I want to double click in for a second.
I think, obviously inclusion is a huge thing in our industry, and technology has helped it be more inclusive, but sometimes you go the other route, where technology hinders inclusion. Is that something that you're digging into more? You mentioned, making sure that human connection isn't hindered by innovation, but a lot of what companies are doing, are trying to make inclusion more possible with technology. I think that hybrid events helped make things more inclusive for people that might not be able to travel, for example.
But there's the other but of ... I don't know, I feel like there's a good debate here of what does radical inclusion mean for you? What does that look like, when you all are talking about looking at the tech paired with the human connection, and making sure that that human connection's still there?
Megan Henshall:
Just to quickly define radical inclusion, this is my very loose definition, and how I think about it, but it's putting people's full identity and personhood first in the design conversation, and then everything else follows. So rather than programming, and then figuring out after the fact how people fit in to the recipe, you start with that, and then you're looking at honoring the whole person, not just the parts that are traditionally acceptable to bring into a business or work environment. And this includes hidden disabilities, which we talk a lot about with The Neu Project, for example.
But I think technology, we have gained a lot through technological advancement. I couldn't, in good conscious, work for a tech company, if I didn't believe that to be true, but we've also lost a lot because of technological advancement, and I think virtual event platforms absolutely have changed the game for folks who can't travel, or who are immune compromised, or who just actually don't like being in crowded physical event environments.
That being said, there's a lot of work to do around the technology that is inherent to and built into event environments. I think somewhere along the way, there was this misconception that the loudest, flashiest, brightest, most cacophonous thing, was the only way to keep people's attention. And it actually has left a lot of people unable to participate at all, because of sensory processing differences, and neurodivergence, and social anxiety, and a lot of things. I think some of that audiovisual, and the ways that we design technology into built environments, is really harmful.
Rachel Andrews:
Yeah, I think it's a hard line to walk, because you want to have great entertainment at your event, but sometimes you're right. When you walk into some of those general sessions, and they're pitch black, and the only thing you see are lasers everywhere, I even have a hard time with that sometimes. So we're probably guilty of that for some of our events, and I think it's just making sure that when we're doing that with your event production folks, you're making sure that you have spaces for those people to be able to see.
I forget who I was talking to a few months ago, and it was like ... I think it was Brandt Krueger, he's a AV guru and he said, "Think about the things that you need to do when you come to a conference, in terms of AV. You need to first and foremost see, and you secondly, you need to hear, and it is called audiovisual for a reason." It's like, remember that it's called audiovisual, and if you're making it hard for people to see or hear things, like the music's too loud, or the visuals are too small, or you're not thinking about your fonts, or it's just sensory overload, and then you're not really delivering the right message to the people that you want to get across.
And another pet peeve of mine, I think it's a lot of people's, is going to an evening event, and everything is too loud and too bright, that you can't even talk to the person next to you without screaming in their ear, and we can create great experiences without doing that. Some people have forgotten that like, because they're like, "Well, it's not a great party unless people are dancing." It's like, "Yeah, but you can have a dance area. You can also have a side lounge area. You can also crescendo the night. So the beginning of the night is a little bit more networky, and then you go towards the party of the night, for the people that want to stay into the night and do that," right? So think through the whole experience like that.
But yeah, I agree. I agree completely. We got to be able to make sure everybody can enjoy the event.
Megan Henshall:
Yeah, you don't have to yell at people to communicate to them. You can communicate fun and exciting and ooh, I want to be there, without it being all the [inaudible 00:20:51].
Rachel Andrews:
If your attendees all lost their voice by the end of the conference, you're maybe doing something wrong. Although I talk a lot at conferences, so it might just be the volume of talking, but I think you're right though, creating those networking spaces or creating ... maybe it's a separate sensory room, where they can still see the content, but it's not necessarily as crazy. Or looking at your entire experience and making sure it's not wild. You can still think of unique entertaining ways, without it being a club at 3:00 AM at 8:00 AM in your general session.
Megan Henshall:
A hundred percent. If anyone is looking for some tactical ideas or resources around balancing sensory needs or neurodivergence, The Neu Project is something that was born out of a lot of our research on this exact thing. How can we curate choices and options so that everyone has a place to go to feel safe, regulate, restore, and then rejoin the party when they're ready. So that's just theneuproject.com, and I think we're going to share some of these links out, but I encourage folks to go take a look at that.
Rachel Andrews:
Let's talk more about The Neu Project and some of the awesome things you're doing around, just the focus on belonging overall, and how ... I know inclusion's a big piece of that, but then The Neu Project. What is The Neu Project?
Megan Henshall:
So it's N-E-U Project and it's short for neuroinclusion. And one of the first things we started to pick up on as a theme or a pattern, we were doing research and focus groups back during the pandemic, was that a lot of people don't come to events, because they have never felt a sense of belonging, and they feel sort of programmed out of events, because they're autistic, or because they have ADHD, and they just simply cannot sit in 90-minute plenary, but they felt so uncomfortable asking to be accommodated in a different way. They just don't go.
And we've heard many, many stories ... folks with Tourette syndrome, or tick-based syndromes, folks with mental health neurodivergence, or chronic mental health conditions, who just cannot and will not, because they don't feel like their needs are understood, and they don't feel like they'll be accommodated. There's a really amazing statistic out of the UK. There's an organization called EventWell, and if you haven't heard of it, go check it out.
It's run by an incredible lady, Helen Moon who focuses on well-being, and neuroinclusion in the industry, but 85%, she found, 85% of folks who are neurodivergent or have a chronic mental health condition, have not attended an event because of fear of becoming overwhelmed, stressed, pushed into a state of meltdown or shutdown. That's a lot of people. If we're talking about 25% of the global population who have some semblance of neurodivergence or chronic mental health condition, we've been trying to map this to attrition and late cancellations and things, and there's a definite correlation.
So also late registrations, a lot of people have so much anxiety building up to an event, they won't register until the 11th hour, so these have real impacts on how we plan, and if they knew that they were going to be accommodated going into the registration process, those numbers would likely shift, so=
Rachel Andrews:
I know that's part of what you all are talking about, but I always say it comes down to understanding your audience and doing pre-surveys. Are there other things you can do to understand that audience sector of people? Because we ask accessibility questions, obviously in our registration, but going one step further for the neurodivergent folks, do you recommend anything, or is it all part of thinking through that in the event design process with your stakeholders, or with the surveying people? Is there a better way?
Megan Henshall:
There's no best, right way. I think just including explicit language around neurodivergent needs and registration comms is a giant step in the right direction. I think education and enablement, so educating yourself around the neurodivergent experience, understanding the different conditions.
Again, all these things are hidden. They're invisible disabilities that people just suffer through, all day every day, and they have to accommodate themselves, because largely environments don't have these things built in. So just understanding that, I also think creates a real empathy, and as you're thinking about programming, you can't help but consider those folks in the design. There's a lot of good resources on theneuproject.com. We have a whole resource guide. We interviewed, I think all in, close to a hundred neurodivergent individuals to develop that, with all different sorts of conditions, and ranges of experience, because we wanted to represent as best we could, the entire neurodivergent community.
We also have consultants who are always willing to talk to individuals who just want to learn more. So yeah, check it out. You can always reach out if there's more information or specific questions. I love this topic of conversation, love to broaden it, with as many people as possible.
Rachel Andrews:
I do want to talk a little bit about belonging, because I feel like you all look at belonging in a very cool way, and you have tools for looking at belonging. That's something that I struggle with at the end of an event. It's like, "Did people feel like they belonged?" You can do your post-event survey, but a lot of it is geared towards, "Were you satisfied with this breakout?" And maybe there's better questions that we can ask at the end of, "If you want to take this additional survey about," maybe it just leads you into other questions, if they wanted to go down that path of, "Did you feel like you had enough experiences that suited you on site for your needs?"
We're trying to do little micro communities at our programs, because big events can get really overwhelming. There's so much that you can see and do, but so that's the challenge I think of a lot of event profs have is, they're designing for everyone, and what that usually means is that there's just so much to do with these events, that then that even becomes so overwhelming.
Megan Henshall:
[inaudible 00:26:53], Yeah, I think this is controversial, but I actually think universal design is a misconception. I don't think you can design one thing for everyone. And I think when we try, it's actually for no one.
What we can do, is cultivate choices that are representative of everyone. So one thing might not be for this particular community, but over here you can find something that is for you, and I think that I'm starting to develop this ideology that we, as designers, are curators of choice. We're not supposed to design one thing that works for everyone. We're supposed to look at everyone, and create optionality on their behalf, and I think that's the best of inclusive design.
So for belonging, it was something that kept coming up in our conversations around diversity, equity, inclusion, "I've never been in a space like this, where I feel like I belong," and it came up so many times, we were like, "Well, let's pump the brakes, and really talk about this."
And so we started to pull in partners. So one of our key partners is Storycraft Lab, and then we have another amazing partnership with lovely man, David Allison out of Canada, who talks a lot about values and how we shouldn't be designing for demographics. We should be looking at value graphics. What do people care about? What is important to them? Because their age or where they live or the job that they do isn't who they are. Who they are is what is meaningful to them.
And so we had him dig through his database of millions and millions of surveys, and pull out belonging specific data, so that we could just better understand what belonging looked like to people around the world. And interestingly enough, belonging is the number one value in the United States, and its top three or five in most other countries around the world.
And so we actually pulled those things into an index. I think you have the link, so anyone can access that. Very high level data. It's beta, but we wanted to start to share that out with the industry, so people could see what that looks like. And then Storycraft is actually helping us build a playbook. So I believe, we believe, our little community, that you can design for belonging. That it is a practice, it is interdisciplinary, but there is a practice that will allow us to cultivate this, or at least put people into containers, into spaces, where they can cultivate it for themselves, if we're doing our jobs the right way. And so we're actually going to be bringing that playbook to IMEX in Frankfurt for the first time in a couple of weeks, and I'm really excited to start to socialize it with more people. Because we're in our little bubble, but I'm really curious to see what associations are going to think of that work, or what technology companies are going to think of that work. I just think there's so many different points of view we could consider there.
The Wheel of Belonging is the framework on which the playbook was built, and that is also on a website that is publicly available. Anyone can access it. So I encourage you guys to click into those links, and we're always open for feedback. So let us know what you think, and how you think it could be better.
Rachel Andrews:
I love that. I took a look at your Wheel of Belonging, and there there's a lot of things on that that speak to me of, "Oh, I think I'm in this camp." It's almost like your love language, but for belonging. Which of these things actually speaks to you, or what resonate with you, in a belonging sense? So thanks for doing that.
And I, unfortunately, I can't be at IMEX Frankfurt, but I know a lot of other people will be there, so make sure you all check that out, because speaking of that, I know Google, in general, seeing you all on the trade show floor at things like IMEX is totally awesome. How are you supporting the events industry? I know that you're at a lot of things, and talking to a lot of people within your think tanks. How does that support system work?
Megan Henshall:
It's powered completely by Google. We don't charge for any of our resources. I think the benefit back to Google are these partnerships, like the IMEX strategic partnership. We get to bring our experimentation outside of the Google bubble, into critical mass in the industry, and learn.
So I think we walked away from Vegas last year with 12 different data sets, because we collected data in a bunch of different ways, and had a bunch of amazing conversations. So we're learning with the industry, but Google is a hundred percent funding a lot of the research, the development, and the practical experimentation that we're doing. I feel very lucky to have that support. I know that's not easy to come by right now today, but yeah, it really is. We're learning with the industry, but it is a gift. We always share what we learn to the extent that we can, and we support other brands with implementation, too.
So quick shout out. We are going to be launching Hitch, a process, at Frankfurt, where anyone can submit a proposal for an event that's upcoming, or a project that they want Google to support or partner on. And so we'll probably between Frankfurt and Vegas IMEX, take on two or three projects. And then in Vegas, we're going to invite those folks on stage with us to talk about what we learned together.
I want to demonstrate that these things can work and happen outside of a place like Google. They're not expensive. A lot of it is ideological. It's a mindset shift more than hit to your budget. So I'm super, super excited about that. We want to pull more and more people into the work, so that they can co-own it, and it's not just a Google movement.
Rachel Andrews:
Oh, that's such a gift. I love that. And I can't wait to hear those case studies, because you always want to do things like that for your events program, but you never think you're going to have enough time. But if someone's helping you shepherd you through that, that's amazing. And it helps with the organization and just asking the right questions, because sometimes I don't even know where to start asking the right questions for something small.
Megan Henshall:
It's hard to get started. That is the hardest part. It's like going to the gym. The hardest part is getting your workout clothes on and getting there, and then you sort of fall into it.
But yeah, we want to help people get started, and I know I'm so confident that other people will do some of these things even better than we do. We just have to help them understand how to make it make sense for their particular world.
Rachel Andrews:
Are you implementing a lot of this into the 75,000 events that you're doing a year?
Megan Henshall:
Yeah, so The Neu Project is something that I think we're pretty much implementing at scale now. We actually are getting ready to open our first purpose-built resilient space for neurodivergent communities here in the Atlanta office. It's embedded into our event center here. I'm so proud of that. We've developed sensory kits, and those have been deployed to all of our event spaces, so massive organization. We have offices all over the globe, so we're rolling it out, but that's widely adopted at this point, step by step. It's a journey, but a lot of these things are getting implemented at our tent poles like IO and Google Marketing Live, and so they're showing up more and more places. It's been great.
Rachel Andrews:
Are you all focused on anything sustainability-related when it comes to event design as well, because I know that's top of mind for everybody. And I remember one of my friends at, I think it was PCMA, stood up and said, "If we could all, as leaders, just get together and say, 'These are the three things we're going to focus on in 2024 or 2025, and all commit to do it,' we can make a huge difference."
I agree so much with that, and it feels like you're doing a lot of that with these projects that you're doing. Are you doing anything like that for sustainability?
Megan Henshall:
Yeah, so we're very, very lucky that we have a whole dedicated sustainability team at Google, and they're brilliant. Top minds in climate change. We contribute as it relates to events and experiences, but they drive that overarching strategy, and tell us what our commitments are and how we need to be thinking about it.
But yeah, it's something we talk about constantly. Climate change is a macro driver that is going to change the way we live. It's going to change the way we do our jobs in the next 10 years. We're not actively pursuing ways to support sustainability, we're going to become irrelevant as event professionals. So it's something we talk about a lot. We also talk about how human-centered design is wonderful, and that is absolutely where we should start, but we can't be human-centered, if we're also not talking about climate change and sustainability, because we won't have a place to live. [inaudible 00:35:23] start doing better in these places, and so it's absolutely a priority, and we have incredible partners to help us execute there, for sure.
Rachel Andrews:
A lot of it's corporate-driven, right? What is your company doing? But our events, I feel like the meeting, I don't know, maybe I'm just such an industry advocate, but our industry, when we get together, we can do such amazing things. I think we wear a lot of hats, too, in the industry. A lot of us, yeah, we do events, but we're also involved in some HR things, employee morale, or other initiatives of the company, a center around travel, for example. And I feel like that's one area where, if we just band together a little bit more, I think we can do a lot better. I think we could do a lot more. I think we can really push the needle if we start these commitments together.
But anyway, that's for another podcast, I think.
Megan Henshall:
That could be a whole other TED Talk, right?
Rachel Andrews:
Well, Megan, thank you so much for joining today. I know you mentioned IMEX, but where else can people find you and find all the tools? We're going to share some of the links that Megan talked about today.
Anything else you want to share with our listeners before we close today?
Megan Henshall:
Yeah, I will shout out an organization that is new in the industry, but that is focused on eco-consciousness, sustainability, and climate changefully. It's called Order of the Wild. If you're looking specifically for some way to plug in to that effort in a new and fresh way, I would encourage you to check them out.
We'll also be, the XI folks, will be at the World Experience Organization Summit this summer in New York. So if anybody's new York-based are going to that, please find us. We'd love to meet you and hang out, and we're going to be sponsoring some stuff there. And then we'll see you in IMEX at IMEX in Vegas.
Rachel Andrews:
Yes, either Imex really, right.
Megan Henshall:
This was fun. Thank you so much for having me.
Rachel Andrews:
Oh, yes. No, it's a pleasure. It's all ours, I hope our listeners enjoyed today. We're so excited that Megan joined us. They're doing some incredible, incredible things, and it's all there to help you, and help the industry, so definitely don't be shy. She's very much open to meeting everyone and having these think tanks, so I encourage you all to collaborate with her.
So thanks again, Megan, and thank you so much everyone. Great Events. See you next time.
Alyssa Peltier:
Thanks for hanging out with us on great events, A podcast by Cvent. If you've been enjoying our podcast, make sure to hit that subscribe button so you never miss an episode.
Rachel Andrews:
And you can help fellow event professionals and marketers, just like you, discover Great Events by leaving us a rating on Apple, Spotify. Or your preferred podcast platform.
Felicia Asiedu:
Stay connected with us on social media for behind the scenes content, updates, and some extra doses of inspiration.
Rachel Andrews:
Got a great story or an event to share? We want to hear from you. Find us on LinkedIn, send us a DM, or drop us a note at greatevents@cvent.com.
Felicia Asiedu:
Big thanks to our amazing listeners, our guest speakers, and the incredible team behind the scenes. Remember, every great event begins with great people,
Alyssa Peltier:
And that's a wrap. Keep creating, keep innovating, and keep joining us, as we redefine how to make events great.
Widening the welcome: Stephen Cutchins on elevating event accessibility
Episode description
Are your events and content truly accessible for all who’d like to participate?
In honor of Global Accessibility Awareness Day on May 16, 2024, we’re dedicating this episode of Great Events to just that - improving event accessibility.
And we have just the expert to help us.
Stephen Cutchins, Senior Manager of Accessibility at Cvent, has been working in accessibility for over twenty years. In this episode, he sits down with host Felicia Asiedu to share his latest insights.
They discuss how creating inclusive and accessible events can not only better serve a diverse audience but also significantly boost business revenues. We'll also explore the tangible steps and strategies organizers can implement for better inclusivity.
Plus, Stephen shares about upcoming initiatives, including a groundbreaking “No Attendee Left Behind” webinar and the exciting launch of his book "The Big Book of Event Accessibility."
So, whether you're a seasoned event planner or just starting out, this episode is packed with valuable information that will help you ensure no attendee is left behind.
Here are a few key takeaways from Part 1:
- Companies that are more accessible make 60% more revenue than companies that are not inclusive of people with disabilities. That’s a remarkable return on the roughly 2% extra it costs to make your products more accessible.
- The first step to better accommodating event attendees with disabilities is to ask them what they need. Not sure what to say? Ask if they require ADA (American Disabilities Act) accommodations and, if they do, inquire about specific needs.
- While fantastic tools can help, a planner’s top priority should be ensuring that their software enables them to create accessible content.
Things to listen for:
00:00 Intro to Stephen Cutchins + the true definition of accessibility
04:53 The cost of not being inclusive - personally & from a business standpoint
08:26 The top 2 things event planners & organizers should do to improve accessibility
13:13 Responsibility standards for event planners: where to incorporate & where to make wise accommodations
20:26 Accessibility Law updates: the Americans with Disabilities Act, European Accessibility Act, and more
24:41 Tools & practices that planners can implement immediately to improve accessibility
Meet your host
Felicia Asiedu, Director, Europe Marketing, Cvent
Meet your guest host
Stephen Cutchins, Senior Manager of Accessibility at Cvent
Additional Content:
You can watch the on-demand session of our two-part webinar "No Attendee Left Behind: Making Events Accessible to All" on May 16th, in celebration of Global Accessibility Awareness Day. We hope you didn't miss out on this opportunity to learn about creating inclusive events at your convenience!- Watch now
A blueprint to planning events that are accessible to people with disabilities - Get access to all available chapters now!
How Accessible is Your Event to Attendees with Disabilities? - Download the eBook
Stephen Cutchins:
I've been to a lot of events now, I've talked to a lot of planners. Planners really, really want to do the right thing. I say it jokingly, but we want to throw a good party. We do. We want it to be happy. We don't want to see at a party, somebody in the background sipping their drink, having a bad time. That's one of your attendees. That could be an attendee with a disability. They can't participate. So they just want to throw a good party. And I really, absolutely, with all my heart of hearts, I'm seeing this, that people are so excited about, I really want to do this right.
Alyssa:
Great events create great brands, but pulling off an event that engages, excites, and connects audiences, well, that takes a village. And we're that village. My name is Alyssa.
Rachel:
I'm Rachel.
Felicia Asiedu:
And I'm Felicia.
Alyssa:
And you are listening to Great Events, the podcast for all event enthusiasts, creators, and innovators in the world of events and marketing.
Felicia Asiedu:
Hi everyone. What has been going on in this wide, wide world of events? My name is Felicia and I am your host for this week's episode. So, we are recording this episode because we are thinking about Global Accessibility Day on the 16th of May, and we know that that's just coming up tomorrow, and so we asked our favorite accessibility representative in Cvent -- and he'll be blushing, because he's like, really? But yes, really -- Stephen Cutchins, our Senior Manager of Accessibility to join us. So Stephen, please say hello to our audience.
Stephen Cutchins:
Sure. So hey, everybody. Happy day before Global Accessibility Awareness Day. Stephen Cutchins, our Senior Manager of Accessibility. I've been doing accessibility for... I think I'm at about 22 years now. People always ask, "How'd you get into this?" I was on a project, I'm in the Washington DC area, so I was on a project for the federal government, and people didn't know what to do on a project and they said, "You figure this out." And that was probably three or four years of that. And then I'm like, I think this is going to be my career. So now, knock wood, 20 plus years doing it, and still all I do and I still like it just as much.
Felicia Asiedu:
I say you are our favorite accessibility person at Cvent, because I mean, A, you talk about it a lot, which is great. It's always good to sort of beat the drum of something, but also you're super passionate. Every conversation I've had with you isn't, "Okay, the business should be doing this," or, "These are the statutory rules." You really do come at it from a, "Why would we not be thinking about this for every single human?" So I love that. But just for our audience, in case this is their first foray into this subject, which I'm sure it's not, but just in case, let's just go over why accessibility is important.
Stephen Cutchins:
Actually, what accessibility is. So, accessibility is making our digital content work for people with disabilities. It's as simple as that. We know about the physical stuff. Everybody's... You know, you go to the bank and they have to have... Or any facility or a hotel or event venue. You can't just have a tiny little rotating door. I'm lucky my legs work. I'm not in a wheelchair. I don't have a service animal. I can see. I can hear. I don't have a white cane. So I can get through that little rotating door, no biggie.
My colleague who is in a wheelchair can't. My colleague who is blind can't. Or they can, but it's now difficult, especially with the cane. So you have to do things like there's size requirements for wheelchairs. You have to have doors that auto open. Everybody understands that. They kind of get it. Braille in the elevator. Captions on a YouTube video. For somebody who can't hear the video, they can still read the content.
Accessibility is... Oh actually, sorry. Digital accessibility captions are under accessibility. But accessibility is making the digital content work for them. If somebody is colorblind and they can't tell the difference between a green success message and a red error message, we have to make it so there's something other besides color. Somebody has a physical disability and can't use a mouse, or just simply getting older. I mean, we're all getting older. You know, holding up a mouse here, but as we get older, we might get tremors and our hand shakes. We might have a physical disability where we can't use a mouse. We have to make content work for those people.
And for me, it's the right thing to do. My mother was an amputee. I have a disability, a neurological disorder. I had two cousins in wheelchairs. But outside of that personal reason, it makes business sense. They're twenty-plus percent of the people in the world, who want to come to our events, who want to participate, want to be speakers, want to give us money to come to these great events. If we don't [inaudible 00:04:20], they're not going to come. And it just makes business sense to me also.
Felicia Asiedu:
Absolutely. I couldn't agree more. I've been talking about diversity for a few years now. I kind of fell into that, talking about diversity. It was one of those weird things that happened. It was the whole George Floyd thing and everyone was like, "Oh, you look like you can speak about diversity." And I was like, "Do I? Really? It's not my area. It's not my expertise. What's this?" And I always tell that joke because it opened up a door for me. It opened up something where I got to understand more than my own diversity. So I got to talk to people that were talking about making things accessible for everybody. Now that is a diversity in itself. It's not a racial thing, but I think coming at it, I remember sitting on stage with you once and you were kind of like, "What's the cost of being racist here? So who are we excluding?"
Stephen Cutchins:
That was [inaudible 00:05:07]. You actually... You mentioned that later. We were very lucky that I was at CONNECT UK and got to talk to Felicia, and she was asking about isn't this expensive? How much it costs. And I said, "When is it okay to be racist? At what point?" Is it okay if it adds 10%? And I can say, "I'm sorry, you're Black. You can't use it." Is it 20%? Is it one? Never.
So I think it's the exact same thing with digital accessibility. And again, that's that because there's two, there's for me, it really is. I mean this is personal. It's the right thing to do. But also for business sense. And there's numbers to prove it. Both ways, cost-wise it only adds about 2%. US federal government did a big study. There I wish I remembered the name of the organization, but it was like some whatever that said it was like 1.8% I think to within... I think they did a six-year study. Over six years, it's like, let's say 2% more expensive to make your products accessible. Longterm, it's essentially zero. It's the same as with like security. Now we just get it, we have to make our digital products secure. Well, we have to make them accessible. So longterm, the cost is essentially zero.
And companies that are more inclusive, this was a big Accenture study that they did with an organization called Disability:IN. Companies, please pay attention. Companies that are more accessible make significantly more money. I think it was 60% more revenue than companies that are not inclusive to people with disabilities. The numbers were staggering how much more money you make by being inclusive. And if we go back to that, at least in the US, it was over 20% of people have a disability. 20% of people, I don't care about you at all. I don't care. I don't care if you come to my event. You're in a wheelchair, you're deaf, you're blind, you're colorblind, you have limited vision, you're in a wheelchair, you have a service animal, I don't care, I don't want you to come. 20% of your users. I wouldn't go to any planner out there and go, "You can increase your revenue by 20%. Increase the number of people if you did 2% additional cost." They would take that all day long.
Felicia Asiedu:
Yeah, a hundred percent. I mean, I'm going to get us onto that topic of how we can help planners to think about what to do, physically do, to make their events more accessible. And that is both physical and digital. I'm going to give a perspective based on what I heard. So let's think about large organizations, some who may be listening to this, when they're down 5% on their revenue or their forecast, everybody starts rallying, because they're like, "Oh my gosh, we're off by 5%." If you take that to the millions of dollars or pounds or euros and you're down 5%, think about how much 5% represents of half... call it 500 million.
Then tell me, "No, we're not down. We can actually make 20% more." Or 60% more, because that was the figure that you actually gave. I'm suddenly kind of like, okay, not only is this important for it's the right thing to do, but come on, where are you getting those 5% gains from? When someone's telling you to cut your budget, you're like, "Actually, do you know what? Let's not cut the budget. Let's make more money." Doesn't that just make more sense?
Stephen Cutchins:
Yeah, spend 2% and get 20 back. Yeah, a hundred percent. It just-
Felicia Asiedu:
Right. Yeah. So let's take that and help us to go down that path of, okay, so what should event planners and organizers actually be doing? And we can talk, like I said, about physical, physically or digitally. What should they be asking venues or suppliers there just to make their events more accessible?
Stephen Cutchins:
Tomorrow we're doing on Global Accessibility Awareness Day a two-hour webinar. The first hour is kind of a panel. We have somebody who's in a wheelchair, we have me, and then we have somebody who has hearing disability. We're going to talk just kind of an open panel. The second hour we're going to show some of our products, and then we're going to launch a thing called the Big Book of Event Accessibility. It's free. It's huge. I think 80 pages right now. It's growing. I'm saying this because a lot of the stuff I'm going to say now is going to be in the Big Book. I'm so excited. We've been working on this thing for so long, like many, many, many months. Finally ready. Actually, you've done some of the reviews on them, and I'm pretty excited.
So, the biggest thing is ask your attendees. And there's really two different things, and we talk about this in the Big Book. There's two things you can do. You can go into detail and say, "Will you be accompanied by a personal care assistant? Do you need captions? Do you need sign language interpreters? What language for sign language? Will you come with a service animal?" Well, there are so many questions you can ask, and that's great.
Or, if you are unsure of the questions or if you're simply afraid, like, "I don't want to ask somebody if they're in a wheelchair." Or if they use a mobility device, is really what people would say. And that's important because you have to know not just the physical stuff about like ramps. When you're setting up tables for dining, when you're setting up just the tables to go in your opening plenary, you need a place reserved for them with a chair gone because they're in a wheelchair. Their chair comes with them. And I mentioned if they have a service animal, that's really two spaces, because you don't want the dog out in the aisle because somebody could step on its tail, they could kick it, they could whatever.
And actually to follow up on that, if they said they also come with a personal care assistant, you have to know things like, well, that's now they have a service animal, so that's one space. They have them in a wheelchair. That's two spaces. And we reserve the chair next to them for their personal care assistant. And we don't charge that PCA. They're a nurse. They're someone that's there to take care of health and welfare of that person. You don't charge them. You can charge them a nominal fee for the food. Normally we don't.
To go back to my original point is just please ask. And if you're not sure what to ask, and this actually came up with... A Cvent employee sent me a thing. I love this. It was their alma mater did a thing for the ten-year reunion, I think it was, for graduates, and it said, "Do you require ADA," Americans with Disabilities Act. "Do you require ADA accommodations?" And then it said, "If you put yes, we will contact you within a couple of weeks to discuss how we can best accommodate you." That is brilliant. I'm not sure what to ask. I don't know, but you do. So we're going to contact you and say and find out like, oh, you're in a wheelchair. Okay, great. Oh, you also have a service animal. Oh, great. Okay. Oh, and you also have a personal care assistant. Well, then I know a lot of stuff I have to do to make that person enabled. The biggest thing is just ask. That's for starters. Please ask your attendees.
And I think the more questions you ask, the more people are going to want to come. Because if you don't ask, and somebody said this, "Don't reduce my experience to a checkbox." So on a website, don't just put a little box and say, "Do you require accommodations?" I could be deaf. I could be blind. I could have a physical disability service animal, personal care assistant, all those things. And if I just put yes, that's not enough. I thought that was such a great saying of my experience shouldn't just be one little checkbox that says yes, you have a disability. There's an awful lot of types out there. And we can accommodate all of them, you just have to know how.
Felicia Asiedu:
I really love to hear that because we often do talk about diversities and accessibilities being these checkbox exercises even, where people are saying, "Oh, look, I did it. I got people to come to my event that ticked this box." And actually it's like, yeah, but did they feel welcome? Did they feel that they were able? Could they do all the things that other people could do? How did you make it inclusive? Not just that you got them in the door. So I think that is a wonderful saying.
And this kind of goes back to... I remember there was a school of thought where people were like, "Don't ask. You shouldn't ask me. You should just be accommodating." And I'm like, look, I'm not a planner, I'm a marketer, but I've been planning events now for a long time and working alongside other planners. And we all plan based on our information. So what you said to me makes sense.
But what do you think... We're talking about responsibility here. I think you started the podcast by saying some venues, most venues, every venue should just do a particular standard. So there's a responsibility on venues to have some standards. Then the organizer, it sounds like what you're saying, needs to ask. But I think the attendee, there are some that would say, "Don't ask me." There are some that say, "It should be a standard. I'm not going to tell you. You should just get some sign language people." What do you think? What should we be doing here? Is it as big of a minefield as I'm making it sound or is it, let's just ask, you just tell me, and I'll get it done?
Stephen Cutchins:
We've had so many cool conversations about this internally, is for certain things you don't ask. Like the website itself, it has to be accessible. It has to meet web content accessibility guidelines. Because you just don't know. But to go down a tangent of I should just make it work for everybody. Think about there are so many different types of dietary restrictions. Some people are allergic to strawberries. Some people love strawberries. Some people might be halal or vegetarian or vegan or pescatarian. Should I really have every option in sufficient quantities that considering maybe 10 people are vegetarian, I'm sorry, 10% of my 2,000 attendee audience could be vegetarian. So I'm going to have hundreds of vegetarian meals. And really it turns out nobody is. And I just wasted all that time and that money.
So I think it's the exact same thing. And I'm going to give you a great... And this is a real... Matter of fact, I mentioned tomorrow the two-hour webinar, the guy on the first hour, this is his story. This is not mine. He's in a wheelchair. Disability where he cannot physically lift himself. He has to take a wheelchair in the shower, in the bathroom. To get into bed, he uses a thing called a Hoyer lift, where essentially it picks him up and sets him in the bed. So I'm using my fingers here, sorry, but a Hoyer lift is kind of shaped like this.
Felicia Asiedu:
A C, for everyone that can't see.
Stephen Cutchins:
Yeah, a C. Well, the bottom of the C has to go under the bed, otherwise it would just tip over when it picks him up to put him in the bed. He specified an ADA, or Americans with Disabilities Act, accessible room. And it had a shower that he could roll into. I think he mentioned it had a lip or it was difficult. The telephone had a light on it. But it had a bed that was on a solid base and he couldn't get his Hoyer lift close enough to get in the bed. So he had to have [inaudible 00:15:03] pick him up and put him into bed. One, it's not a great experience. And is that really how you want your attendee to remember your event, is yeah, I had to have people pick me up and put me into bed? And the next morning get me out. Or do you want to ask specific questions about not just do you need an accessible room? It's a little bit rare, but you've got to plan for that.
And when you contact the attendee to ask, like that one with the university did with the alumni, or you just say, "Do you require a mobility device?" And have some kind of text deal to say, "I'm in a wheelchair. Very limited mobility. I require a Hoyer lift and therefore a bed that I can get underneath," you'll do it. The hotel will do it for free. All you have to do is go, "Oh, I need that. Hotel, do it."
"Gladly. Done."
But you have to know.
But to go back to the thing about should we just do it, does that mean every hotel has to have these beds that aren't on the posts instead of platforms? No. So super long-winded story, but I prefer the for certain things, like the website has to be accessible, period. But for certain things like dietary restrictions, you need accommodations, you fully should ask. Yeah. And it's also going to make me feel more comfortable because ADHD, PTSD, certain things like that, if you ask these questions to know, given enough responses, we need to have a low sensory room or a quiet room. We need to have a place where people can just get away.
This is another true story. I was at a conference and I was speaking, so I sat all the way in the back. And everybody's up front and I'm kind of on my phone and reading through my speech and get ready what I'm going to say. And this guy comes next to me and says, "Can I sit here?"
And I said, "Sure." And I asked. I mean, we were all literally in the back of this giant room, there's five or six or seven rows empty, and then all the 400, 500 people up front. And I said, "Are you speaking?" I just assumed he was speaking.
He says, "No, I'm here as an attendee. I have PTSD. I was former military. I get extremely uncomfortable with sounds behind me." And we were all the way in the corner, in the very far corner with no doors or anything behind him. And I bet if hopefully he let the planners know that and then they could have in some way in rooms either let the speakers know or... Because what they don't want to do is, "Hey, you in the back. Come on up here."
Felicia Asiedu:
Right. Exactly.
Stephen Cutchins:
He would probably do it and he would be a nervous wreck. He would be scared. He would be looking around. So something like that, if you know it's going to help your attendee. And if speakers do do that, he's probably going to leave your event, because he's going to think that everybody else is going to be calling me up front. Or let's all come up front and do some bonding routine or some silly dance [inaudible 00:17:40] activity that everybody else is like, "Hey, this is awesome. I love this," and he's terrified.
Felicia Asiedu:
Do you know, that just made me think about language. There are moments where planners, and particular types of people. So I know I'm a type of person that'd be like, "Yay, an activity." So I am like, "Woo-hoo." But it made me think that maybe with that language, when we're at church, we say, "If you're comfortable and you can, please stand." That's what we say, because I'm at church on the Sunday. I lead the worship. So we say, "If you can and you're comfortable to do so, please stand."
So if we are going to do that as event planners, maybe something is like, "If you can and you're comfortable, or you're able or you want to, please feel free to come forward." It's just a slight shift in language rather than, "Right, everybody."
Stephen Cutchins:
Yes. Exactly. "Come on, stand up. Come up." Yeah. And also when you think about coming up to the front, we need to train our planners who then need to train their speakers, but let them know if somebody's in the back, let them stay in the back. I don't want to talk too producty, but we've got this feedback before from events where people who are neuro-atypical, they're not comfortable raising their hand and speaking up in public. They might have autism. That's just not their thing. They need a way to communicate and to chat and to ask questions without, I'm going to stand up and hand me the mic, because for them, their brain is... It just can't do that.
So have a mobile app that can, I want to ask a question. I want to vote on a poll. I want to essentially raise my hand and stand up and ask my question without ever actually having to do that because that terrifies me. And that's again, things that the more we think about this and ask questions and learn more, we just do it.
Felicia Asiedu:
Yeah, it's a standard. I love that. So thinking about standards, I hear there's different laws coming in. This is how these things happen where we think it's a good thing to do, we should try and do it, and then suddenly it becomes mandatory anyway. Which I think is actually the right way to go. So what can you tell us about some of the new laws that are coming in in Europe, and I hear... Are there any in US?
Stephen Cutchins:
Government sites have to do this. US, just a couple of weeks ago, passed one for the Americans with Disabilities Act that says state and local government, their services, their websites, have to be accessible to people with disabilities. Doesn't cover businesses yet. Yet. It'll happen. UK doesn't have it, but European Union does for all member states in the European Union, it's called the European Accessibility Act. That actually was enacted in like 2019. They started enforcing it June 2025. And that does cover businesses of, I think it's 10 or more employees or 2 million euro a year or more revenue. So all you planners out there, this will impact you if you're either within an EU member state or doing business with. So even if a US organization wants to do business with a country in the EU or business in the EU, your products have to be accessible. It'll be web content accessibility guidelines. They're letting each country choose their own. It's probably going to be their 2.1 or 2.2. 2.2 is the newest one. That was like October last year. Our products we design and this to 2.2.
If you remember GDPR. What is it? General Data Privacy whatever, from six or seven years ago. This is like the GDPR for accessibility.
Felicia Asiedu:
It's the right thing to do. I mean, I always say, if you want to create a shift, like we talk about sustainability all the time. Until someone in government or someone regulates it, people are doing what they can do and saying, "Oh, well, I'm trying. I did my best." But your best is probably not good enough. You do need standards to adhere to so that we can make sure it is what we spoke about earlier. There's a benchmark. Venues doing what they need to do. Digital providers and suppliers are doing what they can do. Because we recognize that not everyone can come in and code their website with exactly the right things that need to do. So that's why here I know at Cvent, I know you've been working hard alongside the team to make sure that those standards are already being met ahead of time without someone telling us what we need to do. So I think that's fantastic.
Stephen Cutchins:
Because our planners aren't software engineers. They're not sitting down and writing JavaScript or .NET or whatever the technology is. I'm not smart enough to even know. But they don't do that. They use our products to create sites. Those sites have to meet these requirements. Luckily, we've been... What, over two years now, we've been working on this. Actually, they had been working on it longer. When I joined January about two and a half years ago, that's when we really started, and we're getting our products documented. Something called a Voluntary Product Accessibility Template. It's kind of the only way to really legally state that this is where we stand. Independently audited third-party accessibility firm. I believe we're the only event software company in the world that's actually independently audited. I think a couple of them have VPATs, but they're done internally. Ours, if the company says, "Hey, you have 50 defects," we have 50 defects.
And actually, I could even add that not only do they write our VPATs, they write our defects and put them in a big Excel spreadsheet, and then we upload them one-to-one in our defect tracking system and give them what's called SLAs or Service Level Agreements that say like, "That's a high, you have to fix it in 60 days. That's a medium, it's 90." I don't know what the numbers are. But all that is completely independently audited and then we just start fixing.
Felicia Asiedu:
I love that. I love to hear it. So I'm going to just sort of wrap us up and ask, are there any tools that people can start to use and implement right away so they can just do better today? If you had to recommend any.
Stephen Cutchins:
For the digital space, there's a bunch, but with the caveat that a lot of what it will fail is going to be on the software itself. There's kind of three things that a planner needs to do. When you're adding images, you need to add alt text to describe it. So here I have on the wall a picture of the Isle of Man TT poster. If you're going to include that image on your website, it would say whatever text is in there, it describes it. So somebody who can't see it can understand it through assistive technology of their braille screen reader, their audible screen reader, whatever. So you have to do image alt text, you have to do proper color contrast, and do proper heading structure. For the color contrast and alt text, when you're creating a registration site, alt text is mandatory.
In attendee hub, we did a demo where if your colors are bad, we actually will let you know. There's a thing called safe color mode. We'll let you know the color's bad, and if safe color mode is on, it'll actually tweak your colors automatically. It's not red yet, but we're working on it. But that's pretty cool. So if you want red text on a white background, it's kind of too pink, we'll actually darken the red a little bit. It's pretty cool. Yeah, actually, we'll do a demo of it. That's I think one of the things we're going to demo tomorrow. But it's pretty cool.
The biggest thing to think about probably is not so much tools outside of our Big Book of Event Accessibility, which launches tomorrow, but just make sure the software you're using enables you to create accessible content. Because if it doesn't, I pick something that's not going to create an accessible site, there's virtually nothing you can do. Unless you're like a software engineer and can go through and write HTML code or JavaScript or whatever it is. You just can't do it. You can't make [inaudible 00:24:40] accessible unless the product allows you to.
Felicia Asiedu:
Right. Got it. Thank you so much, Stephen. This has been a phenomenal chat. As always, I'm secretly hoping I get you to CONNECT Europe again. I'm sure I will. I'm going to put that request in because I have to have you talking about this. I just think the more we talk, the more educated A, I am, but our audiences. And this is something that we're all trying to navigate.
And I keep hearing you talk about this wonderful webinar that's happening tomorrow. I believe it's called No Attendee Left Behind, which I think is a great title. Just in a snippet, just tell us what it's going to be about. Who are you speaking with?
Stephen Cutchins:
Yeah. So the first hour is three of us, it's just a panel with a moderator just asking questions. It's kind of hopefully more good than bad, but good and bad stories about events that we've been to. Matthew, he's in a wheelchair, he actually owns a consulting company that will go into venues, hospitality events, and libraries, public spaces, banks, and kind of audit them for physical accessibility. It's called 6 Wheels Consulting. Matthew Shapiro is his name. He's doing that.
And then for the second hour, we're going to launch the Big Book, which I'm so excited about. Launching the Big Book of Event Accessibility. Free download. And then that'll be 10, 15 minutes. And then we're going to have a guy, Ron Justice, a friend of mine in sales, he's actually going to demo our products, create some accessible sites, do things like adding alt text, proper color contrast, play around with color safe mode, to show you planners how to actually create an accessible registration site. Should be fun.
Felicia Asiedu:
I mean, more than fun. I'm so excited for that. I'm like, ooh, I've got to put that on my LinkedIn. Because I think people are really just dying to hear, what can I do? What can I do? So I think that's going to be great.
Stephen Cutchins:
I've been to a lot of events now. Talked to a lot of planners. Planners really, really want to do the right thing. I say it jokingly, but we want to throw a good party. We do. We want it to be happy. We don't want to see at a party somebody in the background sipping their drink, having a bad time. That's one of your attendees. That could be an attendee with a disability. They can't participate. So they just want to throw a good party. And I really, absolutely, with all my heart of hearts I'm seeing this that people are so excited about, I really want to do this right. I don't see people in wheelchair and I realize that's probably my fault. But it's not that people in wheelchairs don't want to come to my conference. I don't make it so they want to come. And they really want to do that. They want to do it for the right reasons. Plus, they realize those people in wheelchairs have money. They want to spend it at your conference. Do you want to let them? Do you want to take it? You probably do.
Felicia Asiedu:
Love it. Awesome. Well, thank you Stephen so much. I'm going to finish by saying thank you and I love your T-shirt. For everybody that's listening to this podcast and cannot see Stephen's T-shirt, you are missing out. Could you just explain, give us an audio explanation of what is on your T-shirt?
Stephen Cutchins:
It's ours. Pretty Cvent blue color. It's Cvent spelled out in sign language. And then I'm going to turn around here. On the back. Can you see it?
Felicia Asiedu:
I can see it. It's got some dots. What do those dots mean?
Stephen Cutchins:
Cvent spelled out in braille with the word Cvent underneath. So it's sign language at the front, braille in the back. Yeah, I think we ordered 50 of them or something like that and we're just handing them out. We have an accessibility guild. It's within technology here at Cvent. So it's me, it's some folks in testers, quality engineering, software engineers, user experience folks. And we're in the accessibility guild. And we gave them that. And we just started a new employee resource group for employees with disabilities called Enable. And we're going to come out with more T-shirts, but we'll have a little Enable logo on it. But big hit. Yeah, pretty big hit. So yeah. Proud of our shirts. Yeah.
Felicia Asiedu:
Well, I'm jealous, but I'm loving it at the same time, so thank you.
Stephen Cutchins:
Yep. Bring one over to London next year.
Felicia Asiedu:
Thank you. See you next time.
Stephen Cutchins:
Appreciate it. Thank you very much.
Alyssa:
Thanks for hanging out with us on Great Events, a podcast by Cvent. If you've been enjoying our podcast, make sure to hit that subscribe button so you never miss an episode.
Rachel:
And you can help fellow event professionals and marketers just like you discover great events by leaving us a rating on Apple, Spotify, or your preferred podcast platform.
Felicia Asiedu:
Stay connected with us on social media for behind-the-scenes content, updates, and some extra doses of inspiration.
Rachel:
Got a great story or an event to share? We want to hear from you. Find us on LinkedIn, send us a DM, or drop us a note at greatevents@cvent.com.
Felicia Asiedu:
Big thanks to our amazing listeners, our guest speakers, and the incredible team behind the scenes. Remember, every great event begins with great people.
Alyssa:
And that's a wrap. Keep creating, keep innovating, and keep joining us as we redefine how to make events great.
Event KPIs: Real tips for real results with Carisa Bartelt
Episode description
Data matters more than ever, and understanding the true potential of KPIs is crucial.
This week, we welcome back Carisa Bartelt, Industry Marketing Manager at Cvent, as she shares valuable insights on the importance of KPIs, particularly in today’s economic climate.
She discusses how to justify your event spend and scale your programs, starting from understanding basic metrics to creating a comprehensive KPI framework. Carisa also explains practical strategies to align your goals, track meaningful data, and engage stakeholders effectively.
This episode offers expert advice on leveraging KPIs to enhance your event planning and achieve greater success.
You won’t want to miss it.
In this episode, you’ll learn:
- The Necessity of a KPI Framework for Event Success: Carisa Bartelt highlights the critical need for a KPI framework in today's economy. This helps event teams justify spending, prove impact, and align goals with organizational objectives, shifting from defending budgets to showcasing success and advocating for growth.
- Streamlining Data for Informed Decision-Making: The episode explores managing vast event data, with Carisa suggesting categorizing data into themes like brand awareness, participation, engagement, and revenue. Understanding who cares about which data and where to find these metrics across different tools—such as CRM systems and marketing automation platforms—allows professionals to effectively showcase the value of their event programs.
- Collaborative Approach to Data Utilization: Carisa and Alyssa highlight the importance of aligning teams like sales and finance in maximizing the impact of event data. Involving these teams ensures they see the data's relevance, fostering collaboration and boosting event performance and scalability while supporting career growth
Things to listen for:
[00:00] Introduction to the episode with guest Carisa Bartelt
[02:08] The concept of a KPI framework for event programs
[06:32] Organizing data points and measuring impact
[11:23] Involving stakeholders and creating organizational alignment
[12:48] Carisa mentions resources available for learning about KPI frameworks
[14:16] Digging deeper into the story metrics tell
Meet your host
Alyssa Peltier, Director, Market Strategy & Insights at Cvent Consulting
Meet your guest hosts
Carisa Bartelt, Industry Marketing Manager at Cvent
Carisa Bartelt:
People then get more excited when you are involving them and you're sharing that information and that impact. Then kind of just keep asking and keep justifying for their support, right. You're making them a part of the process and you're making that data work for you because you understand what they care about and what it means.
Alyssa Peltier:
Great events create great brands, but pulling off an event that engages, excites, and connects audiences, well, that takes a village. And we're that village. My name is Alyssa.
Rachel Andrews:
I'm Rachel.
Felicia Asiedu:
And I'm Felicia.
Alyssa Peltier:
And you are listening to Great Events, the podcast for all event enthusiasts, creators, and innovators in the world of events and marketing.
Hello, everyone. What has been going on in this wide, wide world of events? My name is Alyssa, and I will be your host for this week's episode of the Great Events podcast, a podcast by Cvent. Carisa, I would like to welcome you back to the show. We're going to be talking about some really fun stuff today. For those of you who have been previous listeners, Carisa has been a repeat contributor to the Great Events podcast. So we're excited to see what she's been working on in her product marketing role here at Cvent. Carisa, what's been going on?
Carisa Bartelt:
Hey, everybody. Happy to be back. Always good to talk to everyone. I think it's been kind of a wild year. It's been a couple months since I've been here. Think over the last ... We're about halfway through the year now. There's been this really intense focus on what are we doing and why are we doing it and how do we prove or justify impact or resources or anything going forward because I think there was such a fear at the beginning of the year. And now there's this opportunity to kind of reinvent, but there's still a little bit of caution of how much can we spend? What are cutbacks looking at? What's the economy going to do? So I've been doing a lot of work involving kind of understanding what the needs of event and marketing teams are to kind of survive and still execute decently and host great events within this current landscape.
Alyssa Peltier:
And I think we're here to discuss acutely what we need in terms of data, right. What data do we need to prove the impact of our programs? I know we talk loosely about that usually on every single episode in some capacity, right. But I think what's interesting about the work that you've been doing, and I'll let the cat out of the bag here, is that Carisa and her team and our larger marketing group have been working on a KPI framework that can help event managers, event organizers, event planners, event marketers all better calculate the value of their event programs in a more standard way, right.
We've seen kind of a lack of maturity in this space when it comes to data and proof of impact. And so I think the opportunity to have something that's a little bit more consistent in the form of a framework is advantageous to this profession specifically. So Carisa, let's dive into this KPI framework. I guess starting off with what are event KPIs? What are we even actually talking about? I think KPI is relatively widely known term, but there are organizations, associations, nonprofits that use different terms. So when we say KPI, what are we talking about?
Carisa Bartelt:
Data, KPI, these are all buzz terms that we all like right now. And I think the capability to understand what the heck they mean and how do I activate them is really something that we found as just a gap that a lot of us don't have. So I like to think of it in the sea of data, we can report on anything. Anything is reportable. I can give you numbers on anything that you want. And those things, what those are is really ... Those are metrics. Those are one single data point, right. It tells you something really specific, but it doesn't tell you something on its own, right. I can give you a number, 82 for this one thing that we tried to do, and you're like, "Well, great. What does that mean? What do I do with it? How do I improve it?" Right. And a KPI becomes then a combination of metrics or a single metric that you get a deeper analysis of that provides an insight to performance that matters to your business goals or your overall strategic objectives, right.
Alyssa Peltier:
So why does this matter now? I know we touched on this in the opening here. I have assumptions here related to the economic environment that we're in. But why now? Why KPIs for events in 2024?
Carisa Bartelt:
I hate to harken back to the last couple years, but events especially have been this untrackable thing that we just know works. We all do events because our customers like them and our prospects like them and they're great, and face-to-face connections are great, but now with so much of the digitization of just even in-person interactions and the ability to track things, all of a sudden now I've got all this data that I can report on. And my programs are getting cut or my events are getting cut. And I can't cut back on the experience at events because that is something that people in your audience tangibly feels. I think from a marketing standpoint, if I cut back on my Google Ad spend, my customers aren't going to notice, right. They're not going to feel that cut. But if I cut back on the food and beverage on my events or the types of events and the quality of the events I'm doing, they really, really feel it.
So for marketers and people in the event space in general, there's this pressure to ... You still have to deliver great events, but also, we want to give you less. And they need to find a way to justify, one, their impact, and two, the full scope of really the experience that they want to create. And now they have all this data everywhere, right, that's like, "Oh, I can report on how many people attended this particular session and what time everybody checked in. And did they have a great time? And did they like that particular activation that I did?" Are very, very granular. And events teams aren't used to dealing with that much data or dealing with them, that kind of granular nitty-gritty.
Alyssa Peltier:
But let's talk about dealing with the data and what this framework aims to provide, which is a little bit more consistency, a little bit more structure around how to organize that information. Because like you said, it is a sea of information. And part of what we've been lacking historically is a means to make sense of it and categorize it, right. So what are some of these kind of specific examples of these KPIs or even categories of data and KPIs that we're organizing to help event managers improve their programs, to make sense of their programs, to make sense of the data that's part of their programs?
Carisa Bartelt:
Yeah. From a really basic level, getting really simple, because I think data is such a complicated topic and it's very, very intimidating to put your arms around, we're trying to build this framework for us to understand what, who, when, and where each data point kind of fits. We've seen a lot of people out there and they're like, "Here's 200 things that you can measure." And you're like, "Great. But why? What do I do with that? Where does it fit within my understanding of it?" So we've got the what, right, which is what you're trying to accomplish. And we're trying to assign a what to each data point that you might potentially get from an event. Is it to help with brand awareness? Is it measuring the participation and engagement of the people on site? Is it really just a direct revenue financial kind of piece?
Those are all different things of the objective themes, the what that we're measuring. Then we have who. Who cares about it? A lot of different data points are relevant to the event execution team, right. The nitty-gritty tactical. Or the sales team. I want to know about pipeline. I want to know about lead conversion. Or even the financial team, right. And for me, when I have all these things I can now measure, I want to know who cares about what so I can have better conversations with my stakeholders. And then we have it broken down into when, which are these maturity stages, right. When can I start measuring this? You can start measuring it right away. Or you need the foundation of data. Before you can start measuring this, you need this baseline. And then after you start measuring that, you can start looking at year-over-year information or cross event information. And that's that maturity of your data kind of approach. And then where. I think-
Alyssa Peltier:
You beat me to it. I was like, "Am I going to get her? Can I give her the where question?" But you're good. You're on top of your stuff today.
Carisa Bartelt:
Where? Where? Well, I think that's the really important part, right. Okay. I can pull this data. And there's this kind of growth of events as a part of the marketing organization as a whole where we understand not all of these data points are tracked or able to be ... Live in just my event management program or my event software, right.
Alyssa Peltier:
I think that's an important distinction, right. Because oftentimes we get ... There's a lot of event data within a platform like Cvent, right. There's tons of that. But we started this conversation where KPIs are often dependent on multiple data points. And sometimes those data points come with multiple data sources. And so I think the where is very important because we often take a very myopic view within our event planning profession, which is, "I'll just go to my event technology provider," but oftentimes the scavenger hunt exists beyond the tool that you are actively in every day.
Carisa Bartelt:
As we try to grow, I think everybody right now, you want to grow your event impact, you want to grow your personal career, you want to grow the contribution that you have to your organization. That doesn't just live in your specific data segment, right. I want to show impact to the org as a whole. I need to look at data points across the organization or across marketing channel. And that's where you start pulling data from your marketing automation platforms or your CRM or any of your data sources, right, to really get the full picture of what's going on. Not just to optimize the execution of an event, but to really optimize and show the impact that it has on organizational goals and [inaudible 00:09:59].
Alyssa Peltier:
And I also think also when you're looking at the tools and the ecosystem of data that supports your event program, the who actually is oftentimes intrinsically tied to the tool. So for example, use CRM as an example. CRM is a tool that's most commonly leveraged by your sales organization, your financial organization, your marketing organization, those that are responsible for the growth and revenue for your company, your organization, what have you. And so it starts to become clearer what stories you need to tell with those KPIs, with those data points when you know what tools are being leveraged for those particular KPIs. And sometimes the path forward becomes a little bit more transparent as opposed to this kind of opaque situation that we've been in for a really long time.
Carisa Bartelt:
Well, I think too, when you talk about the path forward, I really like the concept too of you need more of these other teams to make what you're trying to do a success, especially because resources are getting tighter. You want them to care about the things that you're trying to produce just as much as you do. And you need to make their involvement easier. And if the data is in a way that they can understand and you're speaking their language, and then also you're pushing information to them so they can see it in their own kind of system of truth or their tool, that helps them feel more bought into the process and creates kind of more organizational alignment.
Alyssa Peltier:
Organizational alignment and opportunity for scalability, for growth of the event program. I think so often we're in a position of defense, right, to defend the program, to justify the spend. But how nice would it be for event professionals to be on the offensive? For them to be able to say, "Look at all the good that we're doing as opposed to look at all the spend that we're trying to defend," right. And so again, KPIs are really the secret behind that. But knowing who you're talking to, where to find that information, what KPIs are of importance not only to you, but also to others, I think, is where the industry is headed.
Carisa Bartelt:
And then you can also help measure how they are impacting what you're doing. And that's kind of that proactive offensiveness of you're giving everybody a nudge because they're all contributing to selfishly your own goal, right, but they feel like a part of the process and they feel ... They can see their own impact of if you participate or if we help activate the sales team here to help drive registration. Or we want better conversion at the end, how can we get better about our nurture programs? People then get more excited when you are involving them and you're sharing that information and that impact. Then kind of just keep asking and keep justifying for their support, right. You're making them a part of the process and you're making that data work for you because you understand what they care about and what it means.
Alyssa Peltier:
No, I think that's great. I think that's perfect. Okay. So I don't want to gatekeep on this framework here. So I know I heard really positive praise from a session that was conducted at Cvent CONNECT just over a month ago now that was related to developing a KPI framework for your own organization. And I do believe, Carisa, there is either an upcoming webinar or a webinar that was just done that might be available on demand. Can you talk about some of these assets that we have for people to learn more about developing a KPI framework and tapping into the KPI framework that Cvent is developing?
Carisa Bartelt:
Yeah. Absolutely. So we've got a webinar coming up, I think it's the first week of August, so two, three weeks, that we're hosting, outlining the framework and what they are, what all the different categories are, what we've identified as the way to categorize your data. We just did a really nice presentation with AMA at their analytics marketing conference. So we've got that also on demand. And then we're working on putting together an asset or a resource for people so they can see individual metrics and how we're tagging them to fit within these themes, these categories, these stages, right, and then where they can find it as a starting point, right. Here's how you can start thinking about it, and here's how we're thinking through where this point fits. But it's really all about the framework of the categorization so that you can learn how to take a metric and fit it in within how we are organizing and teaching you to understand your metrics.
Alyssa Peltier:
I love that. I remember seeing kind of in the chat from the session that happened at Cvent CONNECT. Obviously, this webinar will be an accompaniment to that, and also this conversation that we're having here today. But I think I noticed in the chat this is the best session and the most practical information at Cvent CONNECT this year. So when we see stuff like that, we're like, "All right. We need to continue this conversation." So listeners, I hope you dig in more, dig in a little bit deeper on the data conversation and the data goldmine that is within your event programs to develop those KPIs, to justify the spend, but more importantly, to grow your programs more than ever before. With that, I want to say thank you to Carisa, our repeat contributor on the podcast. We will be happy to invite you again, Carisa, as always, but thoroughly enjoyed this conversation today. So we will see you next week, listeners. Have a great rest of the week.
Thanks for hanging out with us on Great Events, a podcast by Cvent. If you've been enjoying our podcast, make sure to hit that subscribe button so you never miss an episode.
Rachel Andrews:
And you can help fellow event professionals and marketers just like you discover great events by leaving us a rating on Apple, Spotify, or your preferred podcast platform.
Felicia Asiedu:
Stay connected with us on social media for behind the scenes content, updates, and some extra doses of inspiration.
Rachel Andrews:
Got a great story or an event to share? We want to hear from you. Find us on LinkedIn, send us a DM, or drop us a note at greatevents@cvent.com.
Felicia Asiedu:
Big thanks to our amazing listeners, our guest speakers, and the incredible team behind the scenes. Remember, every great event begins with great people.
Alyssa Peltier:
And that's a wrap. Keep creating, keep innovating, and keep joining us as we redefine how to make events great.