The Power of Inclusion: Transforming Events Through Accessibility
Episode description
Accessibility plays a key role in ensuring an event can be enjoyed by everyone. Learning how to make your experience as inclusive as possible is important, but where should you start?
In this episode, Ryan Curtis-Johnson, Director of Communications at The Valuable 500, dives into why accessibility should be a priority. Making sure everyone can enjoy the same experience, regardless of whether their disability is visible, is simply the right thing to do. Being conscious of graphic readability, using venues that don’t hinder mobility, and starting internal dialogues are great starting places towards making sure everyone can be accommodated for. He also explains the importance behind making accessibility seamless. An event should strive to include everyone in the same experience, rather than segregate those who need accommodations.
Show notes
- The importance of providing accessibility options for the right reasons
- How to make sure people with non-visible disabilities are accounted for
- How companies like Airbnb are implementing accessibility
Things to listen for:
[02:10] The importance of accessibility
[04:55] Asking the right questions about accessibility
[09:35] Achieving inclusivity for the right reasons
[11:56] How Airbnb is implementing accessibility
[14:55] Closing the gap in the customer experience
[20:09] Inclusivity for non-visual disabilities
[25:12] Ryan’s gold standard for accessibility
Meet your host
Rachel Andrews, Senior Director of Global Meetings & Events at Cvent
Paulina Giusti, Senior Manager of Meetings & Events at Cvent
Felicia Asiedu, Senior Marketing Manager at Cvent
Meet your guest speakers
Ryan Curtis-Johnson, Director of Communications at The Valuable 50
Intro: Great events create great brands, and it takes a village to put on an event that engages, excites and connects audiences to your brand. And we're that village. I'm Alyssa. I'm Paulina. And I'm Rachel. And you're listening to great events, the podcast for all people interested in events and marketing.
Rachel: Hello everybody and what is going on in this wide wide world of events? My name is Rachel and welcome to this week's episode of Great Events. We have a stacked show today with my fellow co-host, Paulina Giusti and Felicia Asiedu, and a very special guest. This week I'm excited to announce our guest speaker Ryan Curtis Johnson, who is the Director of Communications with The Valuable 500. Ryan, welcome to the show.
Ryan: Thank you, and thank you for having me. It's a pleasure to be here. If you're happy, I'd like to just give a quick, audio description of myself. So I'm a white male. I'm wearing a cream top. I've got my gold glasses on. I've got brown eyes, and behind me is a green AstroTurf wall, and a sign that says All you need is love, which is not lit up at the moment.
Rachel: That's awesome. Thank you for that. That's really on topic for what we're just doing today and talking about accessibility. Ryan, why don't you just introduce yourself and what you do at The Valuable 500 and give our listeners a little bit of background about you.
Ryan: Yeah, absolutely. I'm obviously Director of Communications at The Valuable 500, but The Valuable 500 is a global collective of 500 CEOs and their companies who are innovating together for disability inclusion. Disability inclusion includes everything from representation, C-suite storytelling, inclusive reporting, and also part of that inclusive reporting is digital accessibility as well. So the full spectrum of looking at disability inclusion within the workplace.
Rachel: Okay, awesome. Actually, that's a great segue to our kind of first question here and opening up the conversation, so obviously accessibility is very important, but, a lot of times it's not discussed as broadly as it should be. Let's talk about the importance of that and why our listeners should be concerned with that and be taking accessibility to the next level at their events, their marketing programs, you know, not just in person but digitally as well.
Ryan: Yeah, absolutely. It's so important. I think that the really simple way of looking at this is it's the right thing to do, you know, consciously it's the right thing to do. So often a lot of things will come through in the sense that it costs too much money. You know, there's no budget to be able to provide this.
And so just a caveat to how I think we drive change and support that. One of the things that The Valuable 500 does is we say no to any event, any speaking opportunity that is not fully accessible. And fully accessible for us means that if it is a live event, regardless of whether the delegate or the person who may attend, if they're registered or not, depending if it's a public or a closed event, If the person turns up and they do have a disability, they are able to be able to attend that event because it is fully accessible.
And that's really important to have that opportunity and those facilities and requirements and accommodations in place. And I think anyone that's sort of saying we don't have the budget is pretty much penalizing an individual because of the fact of they have a disability and it's the same as really looking at it in the fact of if you didn't provide tea and coffee, it's the same as if you didn't provide a description as to what your product is you're trying to sell from a marketing perspective.
If you decided to take all of those things away, that is pretty much what you are then doing if you're not making it fully accessible. And digital accessibility is everything. So it's making sure your website, making sure your content, texts, and its documentation is remediated. It's looking at the coloring, the font of texts.
The list goes on. There are checklists. You can see them all on different websites. If I named them all, I'm not going just name one, but there are plenty of places that you can check and there are websites that you can go and you can actually insert your website link if it is a registration or something like that.
That then allows you to tell you how accessible it is, and you know, in some cases if it isn't accessible, there are lawsuits against that because of the fact that it isn't fitting with data protection.
Felicia: Yeah. Ryan, you touched on when you are talking about how my mind was thinking as you were talking, you know, there will be lots of organizers and marketers that are kind of like, but how do I do it? And they're so worried about falling foul that they just almost clam up and they say, okay, well I did this, and you know, what do you think about asking questions as to how can I do this?
Ryan: Yeah, I think the key to this is making sure that you ask the questions in the sense of if you do not understand or fully believe that you are doing everything accessible. There are experts out there that do this day in and day out, so it's really important to understand that these places are, or these individuals know this inside out. So actually don't be afraid. And that's where, again, costs will come into play, into that scenario regarding this in the sense of people would say, oh, well we don't have the budget to then go and pay for that professional to come in and support us with that.
Well, that's where you need to really be smart with your budgets because you know, as event managers or as creatives or as any good procurement person would be able to do, there are ways to find money or cut back on other things, and if that means, I don't know, being pedantic, one less brownie, one less croissant. But it means that actually your event is fully accessible or it means one less motion graphic that's probably not going to really do much on your website, but actually it means your website is fully accessible that all readers, you know, and website readers that people may be utilizing are able to use your website completely.
Why wouldn't you do that? Because, you know, morally, again, to go back to what I said, it's the right thing to do. So I don't know why we wouldn't do that. So it's, I think a lot, there's a lot of nervousness around it, but also there's a lot of nervousness for, you know, people with disabilities in being willing to come forward and talk about their disability because one, they see a lack of representation within their organization.
They don't see it in the materiality. So when they're looking at the promotions or when they're trying to apply for jobs or they just don't see them talking about it, but then they see it talk being talked about on Mental Awareness Week or you know, global Accessibility Day, or you know, IDPD, which is the International Day of People with Disabilities.
They might see all that activity, but that's only on one day. And we need to see this continuously. And I think the key to it, which is, which is another thing to kind of go again. So I know we are talking about people with disabilities here, but it's accessibility for all, you know. We never know at some point with an aging population and the amount, disability can affect anybody at any time, and it's visible and it's non-visible disability. So we can't just constantly think about the event and the sense of is access into the venue okay. And everything like that. Because a person with a non-visible disability that you wouldn't see on the offsite doesn't need those elements maybe, but needs other elements in making sure that the text and the communications has been fully accessible for them to see. And that's the key to it really.
Paulina: I love that. I have a quick question. Well, Follow up question to it. So I think there's something about this, and Felicia and Rachel and I have talked about this countless times as we look at our event design process for programs, whether they're internal or or customer facing. But there's this kind of approach of a universal event design process, right?
Including it into, you know, just that same checklist that you would approach for your food and beverage considerations or your content considerations or production experience. There is this sort of mentality. I'm sure many people who are listening are saying, gosh, I wish I just had a checklist to start so that I could create a foundation and then be able to iterate off of that and get better and better with each event or each year.
And I think a number of us are thinking, okay, I've started with the onsite experience and thinking about the ADA offerings. I've thought about the digital experience and having, you know, alt text for images and, applicable fonts and color schemes. What else beyond that? And I think part of where I'm going with this is I'm thinking about all of these things.
I'm doing all of these things. How am I meant to communicate that this is being done without appearing, like I'm doing it to check a box? I think that's something that a lot of people who are listening may be thinking, I don't want it to look like I'm promoting that I'm doing it for the wrong reasons, but I want to be doing this.
Ryan: Yeah, and I think that's, you know, when we come back to, it's a really interesting point because it's that kind of tippy toe scenario again. But I think if we go back to, you know, something that I often give example to the Black Lives Matter movement in the sense of this process is very similar in the sense of, people communicated that they did support the Black Lives Matter movement.
And then actually when people were investigated or looked into their organization, they hadn't been. And so it was talking a talk, but actually the action was very different. And I think it's really hard because do you want to over communicate? Do you not want to over communicate? But if people don't know, they're not going to tell you whether you are overcommunicating or not.
And so I think it's one of those things where you need to test the water. Most organizations, I would hope, have different committees or groups within, if they're a large organization. So I think it's stepping out to those, to speak to those individuals and say, we're doing this. We're driving this.
How is the best ways to do this? It's also pulling on the professionals within the organization. Your internal comms people, if you've got them in your organization, should be able to tell you what's the best way to communicate. And sometimes one model does not fit all. So it might feel like you've gotta repeat it a couple of times before it finally sticks.
And does that mean we need to put it on our Yammer, which is our internal sort of intranet? Do we put it in an email? Do we also push out some video content as well? But again, thinking about it when you're pushing it out, do it by setting an example as well. So if you're putting your video out, put your live captions on the bottom, not auto human generated caption, so it's word for word, making sure that your text is correct and it's not too condensed together because you are trying to cram everything in.
Its good spacing within it, clear text, not lots of fussiness around it with coloring and everything like that. So in some ways it's about keeping it simple. Keeping it simple, but making sure it does. And I think it's like anything, you could have a checklist and you could have, we've got 500 companies, they're all going to do it really differently, but it's sort of setting the parameters of this is what good looks like. And so by learning from what good looks like, that helps to push it out. And there's so many organizations that are doing it that are really, really kind of excelling on it. You know, a really good example at the moment that I can tell you about is AirBnB. So AirBnB put together a new category on their website.
So on their website, it's all pretty much online. And the website that they have. Obviously, if anyone isn't aware, AirBnB is an online platform that allows you to find accommodation that you can stay in. They created their category, which was an adaptive accommodation, which supports for digital, for people with disabilities and these homes are homes that are basically where people live who have a disability. So it would meet the needs of many other people who would like to travel. And some of the biggest barriers for people with disabilities is travel and the travel industry and accommodation and what accessibility really looks like.
Cause let's be honest, for some places, accessibility can be one thing and then they'll have a room, but they've only got two of those rooms out of all of those other areas. And actually the wheelchair doesn't fit. Or actually it doesn't accommodate the needs of that individual when they're utilizing it.
So AirBnB have created this category and they have seen an influx of people that have been utilizing this skill. And bear with me while I just get the figure for you because it's too impressive not for me to get it wrong. So I need to make sure I get it right for you. But it's really impressive in the sense of, in the space of, I think the first, they, they only launched it sort of at the end of last year.
And basically the way in which it's worked, they launched the adaptive category and now homes over 1,100 listings around the world. And it says, with hosts earning over 5.5 million since the launch. Now, for me, if that doesn't show as a business or a brand that if you tap into this demographic, in this market, there is financial benefits for you as a business.
So if you are not considering or even thinking about it and you are not even showing that representation or delivering within that internal element, Paulina, what you were saying, then you're really missing a trick. Because there is an expenditure of this income that is out there where people are willing to pay and there are, you know, whisperings of where some brands are considering, luckily to say they're not part of The Valuable 500 where they're considering reducing the amount of people with disabilities they may have on any of their services because of the fines that they are gaining due to the fact that they're not meeting good requirements. That says a lot, but it says a lot really that the fact that people understand that they know what good looks like and why it is needed and that they are even fined on that basis, but to hear of these stories is quite, you know, is quite sad.
And I think the key ideology, or if I was going to say, what is the magic solution to this? I don't believe there is a magic solution, but sometimes it feels like it's really simple. It's a workflow and you know, I would probably say I'm not the most digital person in the world, but I understand that when you are building a digital platform or a website, you have workflows of the way in which you want that individual to go through and that sort of customer experience or delegate experience, if it's an event registration, and the same happens in real time. So in a face-to-face scenario, you understand the way in which you want this conversation or that journey for that customer experience.
And there is a huge gap in the way in which that customer experience happens for a person with a disability and that is what we need to close and it feels really sort of simple when I say this. I have many conversations with different brands where I've sort of said it feels really easy, like there's just a knowledge gap here.
Where staff and individuals, who may be delivering on whether it's front of house in an accommodation, a person turns out they don't tell you that they're disabled. Does that mean that that's the person's fault? No. They should be able to just turn up and gain the same experience as a person who doesn't possibly have a visible disability.
It's the shock factor that sometimes causes the individual to not deliver on the same customer experience as someone who turns up, who doesn't have a visible disability, would then experience something very differently. And I, it's understanding that workflow and really providing better training, better accommodation in the sense of how we then speak and deliver and communicate with individuals and having the assets, collateral, whatever it might be, guidebook, whatever you might need to, to deliver on this, to close that gap, and then that makes it accessible for all. That doesn't just make it accessible for people with disabilities. That just makes it accessible for all because someone could break their, their foot or their leg.
That means that you are disabled for that period of time when you cannot use your leg. During that period, and people with disabilities, they're just asking to be treated as everyone should be treated and have the privilege that everybody has the privileges and the opportunities to experience and why would we penalize anyone for that?
Felicia: Yeah, and I hear you mentioned knowledge gaps, communication, like Paulina and you were asking about, you know, do I over communicate because then I might be treated as a ah, typical saying you're doing it. Not really. I just happened to Google whilst we were, you know, chatting, accessible, what I put in was “accessible events checklist.”
Here's what's really funny. Obviously I'm based in the UK. I got University College London, University of Glasgow University and College Union. I got Cornell University. What's this about? It's like every single checklist that's come up as my first results are universities that are trying to educate people as to like, could you just consider this?
There's some pretty good checklists in there as well, but I was actually shocked to find it wasn't the Association of Event Organizers or event organizations themselves that were putting out knowledgeable information about what should we do about this. So sounds to me like there is a healthy gap, you know?
Ryan: But also as well, what's really interesting when you say that is, we've all been there where we've seen everyone talk about sustainability, environmental, they're following the sustainability sustainable development goals, which is the union ones. I'm just going to break it down for you.
The SDG 10, which is one of the sustainable data, which most companies, most agencies are saying “We are affiliating. We are learning by this. We have this plastered on our website. We follow this as our guidelines to do good.” One of them is about inequalities, which is SDG 10. So if you are not thinking about accessibility, and I think that's where we get really kind of bogged down with the idea that sustainability is all about environmental.
It is, don't get me wrong, but it also is about inequalities, which means that if you are not delivering on the accessibility elements or showing clear representation or really supporting inequalities in anything you are doing, you are not actually following those goals that you've plastered all across your website to say that as a business, you align yourself to these.
Rachel: Or the goals are antiquated, right? Like they are only focused on people with wheelchairs, for example, and, and not the non-visible. I keep going back to your non-visible disabilities comment, because I think that that's where the gap is of the checklists that we have. You know, all event planners and event designers have this duty of care that we follow.
But we need to update it. We need to update it with these other non-visible disabilities. Like I've seen a lot of events lately, post signs outside of general session for epilepsy, and warnings of strobe lights and things like that, like more things like that on site. I think we need to think through.
Ryan: And also for neurodivergent people, quiet rooms, taking in, you know, time to reflect event. We’ll do a lot of that, which is great. Where they provide spaces, quiet spaces where people can come and they can go away just so that they can take some time. And in there, also in the quiet room is a live stream to the main room.
So, they're, they're still not missing out. They're still able to be part of it because what you don't want to do is you don't want to isolate and you don't want to segregate because what we're trying to do is we're trying to make it inclusive. We're not trying to sort of say, right, this is where you go and this is where everyone else goes.
Because that's where segregation comes into it. And if we really want it to be inclusive, which is what we're after here, then we need to make sure that it's, it's transparent. And that's where I think there was a lot of battle with virtual against live when we had the pandemic. And actually virtual is a really great opportunity, an option to make it fully accessible for those that have, you know, immune deficiencies, that being in a large space can cause huge implications, but they may completely appear to have a non-visible disability. So it would be like, well, why are you asking for that? I've seen you on calls. You, you look fine. And it's that pre-perception, that preconception.
And you know, we also have that preconception that people should tell us, you know, why? Why can't we just make it accessible like the lead by example? Rather than trying to sort of put the onus again on the person with a disability.
Felicia: I was going to say to that Ryan, though. I've been very grateful when people have offered information, and I wonder if there's a way that we can think about making it a safe space for people to offer information. So if there's a way that we can deliver, our planner side to kind of say, you know, and we can accommodate for a variety of, you know, disabilities or, you know, differences with people so that the person says, oh, fantastic. Glad to see you accommodating. I'm going to need this because some of the speakers that we've had, even at Connect last year, I had a speaker that asked us for the specs of the main stage, both from an audio perspective, a visual perspective, what would the lighting be like, how big would the screen be? Because she happened to have a neuro divergence, we were more than happy to provide her with that information. But I'm happy that she was able to ask and I was really grateful that maybe she felt. That we were providing a space enough for her to say, can I just get those details? And we said, yeah, sure. Here you go. You know?
Ryan: You've got to create that culture. You've got to create that space where people feel like they are being valued and they're actually going to be, you know, accommodated and seen. I think it's really hard to get it right. I don't know, again, I don't know what the solution is to that, but if you create a culture, you know, and I would definitely say the younger generation, you know, they get very much given a bad rep for being, you know, disruptors and being challenging towards certain, the status quo. Actually, they're the ones that are really kind of coming forward and owning the word disability because for a very long time it was a negative connotation. And actually what people, what we're seeing now with disability pride and the International Day of People With Disabilities and GAD is they're owning disability and they want to own disability and they are not afraid to own disability.
And that is where they will come forward and we'll see that. But I just don’t know whether the working, you know, corporate world is still playing catch up. And that could be legacy because of comments. It could be, I feel like I've not been seen within my organization in the sense of representation, but I've also not heard the language used.
So one of the things is like at The Valuable 500, we've just pushed the five KPIs, which is part of our white paper and it's important for us to, get businesses to look at that and look at workforce representation, goals, training employee resource groups, which is the ERGs, but also digital accessibilities, and include them in their AGMs, include them in their sustainability reports in their end of month, end of year financial reports so the wording is seen, and I believe that that then trickles to make it feel like it's a safer space for people to come and express that. But I get what you mean. It's really hard. How do you plan an event, but to a certain extent, to set a good example, just do it. Just have live captions that are human generated.
Make sure, yeah, just like do good, like do you not want to do good? You know, it's morally right, like, I can't say it anymore. It's a really hard one.
Rachel: What is the gold standard? What are your dream accessibility features like if in a perfect world at an event, I know we could talk at the business level, but for an event specifically, like what are your dream features?
Ryan: I think it's just that it's really been thought through. So like it's the translation and the live captioning or having sign language in there. It's the use of the fact that it's recorded. So then obviously people who may not be able to digest all that information all in one go, they can come.
It's the fact that they're not segregated. So it's the fact that it's mixed in as an inclusive event. So it doesn't feel like, well, we've just put them all over here, people with disabilities, because they need to be separate. It's the fact that it feels like it's just part of the event. What I like is I like going when I feel like I look at things and, I think I recently went to Rome and I've learned so much in this space since working in it, and I wouldn't have probably thought twice about, accessibility or digital accessibility because of the space that I've worked in. And to go into the Colosseum, which is a very old building, let's be honest, but look at it and then get around this corner as we went in to go into the center of the Colosseum and see a lift. And the lift allows you to, so it's fully accessible to get out to the main area on the ground, but the lift allows you to go up to the next tier level. That to me is what it's all about because it's about the fact that anybody can now come and experience this. And yes, it's, these buildings were not made to be accessible because they are so old. It's like the Great Wall of China. It's not something that really should be walked on because it's crumbling and it's up.
But at the moment, there isn't a way for you to get on there if you did have any physical or visible disabilities or like if you needed wheelchair access, but also as well, you could be, you know, it's easier for you to access through a lift. So that to me is what, where, where it, it warms my heart because I just think, well, this is fully inclusive, it's accessible for all and that's what it's looks like.
And that's what I love about an event. You know, the moments I love is like when you've seen sort of the larger concerts and they've considered it with having a sign language person, and that person is living their best life, the way in which they're providing that commentary to those individuals.
And yes, they are to an area so that they can see it, but it feels like they're part of the experience. And you also feel like it, because if you are a scene in that vicinity, that person is showing that. So it just is so, it seems streamlined and it doesn't feel like an afterthought or a consideration or that you've actually gone and asked.
It's like everything has been thought through to make this fully accessible and make everyone feel like they're part of it. And it's probably, I would also say back to the point that you made, that the questions were asked, you know, is there anything I can feel? So that individual that you had on your panel, they will go away feeling like the person you genuinely cared. You cared about me being there and me being there and bringing my whole self and making sure I felt comfortable. And that's so important.
Felicia: I saw the most amazing TikTok. I know. You've just, that thing of it warms my heart. I know it's different cause it's more commercial, but Louis Capaldi on stage, so Louis Capaldi, big singer from I think Glasgow, he's probably going to be like, no. And just discovered he's got Tourettes. Which is not helpful when you're a singer on stage and you have to be able to get through your lines.
And he was singing and suddenly his ticks started to kick in and the entire audience just went with it. They just started singing his song for him like nothing had happened. It was just seamless and then when, as soon as his ticks finished, he's like, oh, okay, fair enough. Let's crack on. You know, it wasn't like, oh, let's stop the show everybody, because this is not supposed to happen. It's uncomfortable. And what you were saying about young people and that seamless experience, I don't think anyone would bat an eyelid now. Cause it's like, yeah, it's fine. He's got Tourettes. Great. Whatever.
Ryan: And that's what we need to see more of. We need to see things and brands that are on this wider stage, like L'Oreal recently launched the accessible packaging, which has got a qr code, so it describes everything. They also released a device where it allows you to be able to apply makeup, if you suffer with hand tremors, so it allows you to have, and so you can apply makeup, why wouldn't we allow someone to have that opportunity to do that?
We've got things like Sony creating cameras where it's a new retinal projection camera kit that helps people with visual impairments to see and capture the world around them so that they can do it. So it works with them. I mean, the list goes on with the various different things and places where people and brands of what they're doing with innovation. And that's what it is. It's innovation. But what's also interesting is where we are seeing in partnership with the World Federation of Advertisers, media owners and TV sales houses and other key industry partners. So like Proctor and Gamble, are doing a reset bar in advertising and accessibility, which is basically hoping to progress where a hundred percent of advertising will be accessible with advertising accessibility across Europe, by 2025. I mean, that is huge and great, but we don't want to just see it in Europe. We want to see that across the globe. And I understand baby steps, baby steps, but you know, it's so important. It's a really important factor.
Paulina: I think something to this baby steps concept and for, you know, our respective audience listening, many of whom are event professionals, organizers, marketers right? Kind of going back to this, where do I start concept is, events is where it can start for your organization, right? If you are not in perhaps a really progressive organization or association or company, you can lead the charge with how you design these experiences, which ultimately will reflect back to your corporate or company culture.
And so I think we're at a unique opportunity with our peers listening in to kind of take the reins, and take those steps to perhaps, you know, injecting some change at the company level. And I think a lot of it can, like I said, start with these events that we design and execute.
Felicia: Yeah. And Paulina, to that extent, I was going to say one thing. I absolutely love. I always say I love the fact that I work at Cvent because I get to use our tech. I'm very lucky other people have to pay for it. But I know that our developers are developing accessibility into the technology, which is so helpful, for me, for Paulina, for Rachel, and all of our customers because it means that there are certain things that we will have to, we will not stop thinking about. But you won't have to really think, okay, well, is that color on that color going to work? Because the tool will just tell you, this is not good, you know? And I think developing it into technology is a really great way to get a big change to happen quickly, because that way you're not relying on every single event planner to think about colors, which they don't necessarily know, you know?
Ryan: Or have the time. You know it, it's a lot to think about. But what I think is really interesting is that it's there, it's integrated from the offset. It's not an afterthought. The technology is there to support it and to help drive it. And that's what's really important. And that's what a lot of brands, I think are starting to wake up to now, to see that.
And I think going back to what you were saying, Paulina, in the sense of it's actually experience here. That's what events are all about. Events are about creating a great experience. Everyone should have and has the entitlement and should be allowed to experience it. So why would you not allow them to?
So it's about thinking again, the experience. That's what events are all about. But does everyone experience it? Because if not everyone is experiencing it, then really it's not. And I think that's where we're as an industry or where the events industry is so good because they're so good at creating those euphoria moments, that moment, that experience where it elevates, it makes people feel good.
And there's a great opportunity to sometimes send messages out as well. You get the world sometimes looking, you know, we've just had the coronation. We've had some big events happening here. The same happens over in the US. It happens across the globe at various different things. There is great opportunities to have woven that in without even thinking.
And yeah, it may feel like a tick process. Make sure that. Isn't that where we've had to come to with diversity to get that change? Isn't that where we've had to come to get women seen within various things? So when you go back to all of these different demographics, it's just a shame that it takes a crisis or an issue to get it sorted. So is there not an opportunity now where we can just go for it?
Rachel: Yeah. Well, wow, Ryan, thank you so much for coming on the podcast today. We've learned a great deal. I think I even learned some stuff that we probably need to do for our events as well. I think you mentioned a lot of resources that people should educate themselves with. We'll make sure that any of those types of links will be available to our listeners. Where can our listeners find you if they want to learn more?
Ryan: Yeah, so, another great way to find us is through our website. So, it's www.thevaluable500.com, and on there you can see all our members. So I always like to say to the events industry, if anyone is pushing back and they're a member of The Valuable 500, it's always good to see that when they're asking for certain things not to occur.
So yeah, that's where there's lots of news, there's some resources on there, which allow you to also, you know, find out bits and pieces that are going on.
Rachel: Very good. Well, I think we can all do a better job of making sure our events are accessible, and thinking through all aspects of the event design. We want to make sure we're considering all attendees. But thanks again, Ryan, for joining us today. For our listeners, if you have any other topics or people you'd like us to add, throughout the rest of the season, please send us a note on LinkedIn or at greatevents@cvent.com.
Thanks for tuning in to great events
Into the World of Nonprofit Events: A Conversation with UNICEF
Episode description
While events can be used as a great marketing tool, they can also be used to do a lot of good as well. Every year, there are a large number of charity and nonprofit events all over the world that are working to help change lives for the better.
In this episode, Tyler Armstrong, Managing Director of Special Events at UNICEF, joins the show to share his insights into the world of nonprofit events. At UNICEF, Tyler’s been making a change through events for several years, working to improve the lives of children everywhere. Hear his stories about some of their previous events and the impact that they’ve been able to make. You’ll also learn how UNICEF is looking to expand their event strategy in the future by hosting cultivation events, and how you can partner with UNICEF to run your own nonprofit events. Along the way, Tyler shares his advice for anyone looking to jump into the world of nonprofit event planning.
In this episode, you’ll learn:
- The importance behind nonprofit events
- How UNICEF is changing lives through events
- How to generate engagement around a nonprofit event
Things to listen for:
[03:11] Tyler’s Background
[06:27] How UNICEF is changing lives through events
[12:21] The importance of UNICEF’s annual Snowflake Ball
[18:48] Capturing new engagement
[22:00] Other UNICEF events
[25:30] The nonprofit event scene
[27:38] Tyler’s advice for nonprofit event planners
Meet your host
Rachel Andrews, Senior Director of Global Meetings & Events, Cvent
Meet your guests
Tyler Armstrong, Managing Director of Special Events, UNICEF
Elizabeth Powell, Marketing Manager of Industry Solutions, Cvent
Resources
Click here to watch the short film mentioned in this episode
Tyler: Yeah, so UNICEF works for every child and our program areas, the focus areas that UNICEF focuses on the most are, healthcare, protection, respect, and education. And, obviously under each of those main pillars, there are a number of different sub-sectors, climate and gender equity.
And with each of those, you can only imagine the amount of stories that, and lived experiences that come through. And so it's our job, like I mentioned, to bring those stories closer to the US.
Intro: Great events create great brands, and it takes a village to put on an event that engages, excites and connects audiences to your brand. And we're that village. I'm Alyssa. I'm Paulina. And I'm Rachel. And you're listening to Great Events, the podcast for all people interested in events and marketing.
Rachel: Hi, everybody. What is going on in the wide world of events? My name is Rachel and welcome to another great episode of great events. I'm joined this week with an internal guest host, Elizabeth Powell, who is an industry solutions marketer for our nonprofit world, amongst other things. Elizabeth, before I introduce our guest, I want to give you a quick background on your role really quick.
Elizabeth: Yeah. Thanks Rachel. Like many of our listeners, I imagine, I once too was an event planner. I did it in the luxury wedding space. I've done it for universities, and I've done it for associations and nonprofits. Per a transition with an MBA from Georgetown. Now I help Cvent, as a solutions marketer, which means I'm constantly listening to the trends in news and the challenges you face as a nonprofit event professional or marketer, and think about how we can provide better resources and solutions for you.
Rachel: Very awesome. cool. This is going to be a fun conversation today as all of them are, but I have a good friend of mine, an old friend of mine, Tyler Armstrong, who is the managing director of special events at UNICEF. Welcome, Tyler.
Tyler: Hello. How's it going?
Rachel: Good. Tyler and I go way back, to 2007, 2006. We were good friends when I lived up in New York, and had many fun adventures together. Tyler also uses Cvent now. So we're, we've, we, remet again at Cvent CONNECT a few years back, and acquainted with him, but we hung way back in the day. I feel really old saying that now, but.
Tyler: Yeah, I know such good times and, it was so cool to see, CONNECT, come through and to see there as well.
Rachel: Very cool. I know for our listeners, we do a lot of corporate stuff on this podcast, but I'm very excited to have Tyler on today because we rarely do nonprofit, and I, and Tyler has such a cool role at UNICEF. So what, Tyler, why don't you give our listeners just a little, the background of your history, your role at UNICEF and what you bring to this great industry.
Tyler: Thank you. And it's, it's an honor to be here. So first of all, I'm with UNICEF USA. UNICEF USA is the fundraising and advocacy arm of UNICEF, which, obviously, is the global children's organization, part of the United Nations. So I am in New York. I've been with UNICEF USA for 12 and a half years now.
I'm the managing director. I oversee a team of producers, event planners,and we specialize in doing fundraising events that are both creating awareness and engagement and community building and, and advocacy for UNICEF. So really it's our job to, to produce events that are going to reach audiences far and wide in the USs.
And mainly, and this is our big goal is to connect American audiences, US audiences with the global work of UNICEF. UNICEF works in 190 countries and territories worldwide. And, and most, most of us may never visit a lot of those countries. And it's my job as a producer and my team's job to use events as a portal or a window into the lives of children and their families that are living around the world.
So yeah, we've been,for many years, for the 12 years that I've been a part of the team, we've been designing mainly, large, galas or formal seated fundraising events. We were mainly doing those, pre-pandemic. And then, when the pandemic hit, like all of us, we had to pivot.
We did an assessment of our skill sets, the skill sets on the team. And we immediately just decided to start doing events very differently. And, inherently reaching, wider audiences, different audiences than we were, pre pandemic. And that's helped us guide a new strategy that we're now implementing moving forward. So that's my role in a nutshell. I'm happy to answer as many questions as you have about any of that.
Rachel: I love it. I always say, event planning is we're not saving lives here, but you quite literally are doing that with your events and your event strategy. So maybe I should hold my tongue when I say event planners don't impact that. Cause I do think that a lot of in, event professionals and experience makers, however you want to call us, because we are a lot of different things under the umbrellas of planning do impact the lives. I love what you said about using events and experiences as a portal into others' lives, like how cool is that? One, can you just take us through like some of those different portals that you've opened? I know you just talked about obviously the galas and things like that people know you for, but talk through some of the other things that you've done that have helped shed the light on folks that are within the spectrum of events, but also have broadened that scope.
Tyler: Yeah. so UNICEF works for every child. and our program areas, the focus areas that UNICEF focuses on the most are, healthcare, protection, respect, and education. And, obviously under each of those main pillars, there are a number of different sub-sectors, climate and gender equity.
And with each of those different pillars or program areas, you can only imagine the amount of stories that, and lived experiences that come through. And so it's our job, like I mentioned, to bring those stories closer to the US. You'd, I think, be really surprised at all of the similarities that we'd see between ourselves and those going to school and other parts of the world. And some of the major differences too. And the role that we play as event planners is really to make sure that we're making that emotional connection between those stories so that people can really immediately see those similarities and differences.
So one example would be during the pandemic, during the pandemic we were really all facing the same types of global challenges when it came to education. Millions of kids, 2 billion kids on earth, were out of school. And we were faced with a global pandemic and, it was, a time when school looked very differently. So the portal that we created during the pandemic was setting up virtual events where we could, show or showcase, students taking, taking us on a tour of their school, their home, what their school looked like at that time. The different ways that they were, that they were playing, interacting differently, so that's just one example.
Rachel: cool that the backstage thing is really nice. That's, it's helpful to see. And create attention and awareness around those things. Otherwise, you're just shouting into space at things without giving people, Hey, this is what's happening. This is why you need to care or help.
So on that side of your events, your goals. Let's talk about you as a business owner for UNICEF for a second. Your goals for obviously is shedding a light on the children and the different environmental factors and things like that. But for your events and driving awareness to that, I'm sure you're doing more than just creating awareness. You're also hitting financial goals, and getting that information to major stakeholders. Can you get, give us a little bit more behind the scenes peek into that?
Tyler: Yeah, absolutely. So our main ways that we were fundraising,that really haven't changed, this year right now we're planning a gap. Gala that will take place on November the 28th on Giving Tuesday. So that will take place in New York at Cipriani on Wall Street. The basics of the operations of planning that fundraising gala are, we work with, volunteer event committees, and core leadership members that volunteer their time to reach out to their networks to sell tables and tickets to attend the event. The event is an exclusive one night only event where we sell tables for, starting at $30,000, and going up to sell sponsorships up to a hundred thousand, 250,000 for a presenting sponsorship.
We really rely on our board members who also volunteer their time to support the organization. We have regional boards and a national board with UNICEF USA, made up of really people from every industry who are coming together to volunteer their time to reach out to their networks to support the efforts of UNICEF and what they're doing for every child. So we're currently in the process of working with those groups to sell tables and tickets onto this event on November 28th. And, the event, the structure of the event will be a stage program. There will be people who are youth voices and people who are speaking from the stage about UNICEF's work.
We'll use film and,different, audiovisual, tools in order to make sure that we're building those, as you call them, like portals into the lives of others, that evening. And then we also will have a performer who will donate their time to entertain our guests too.
So in the past, we've had Diana Ross. We've had Mariah Carey, Pink, Katy Perry,Walk the Moon perform at our annual event. This will now be in its 18th annual year the UNICEF Gala at Cipriani Wall Street on the 20th of November. So we're currently on sale and our website will launch next week, and we'll be announcing the talent in the next couple of weeks to a month.
Rachel: Elizabeth, do you have $30,000? Do you want to go in on a table?
Elizabeth: I was just thinking about that. I was like, man, if we just pull our resources together. Tyler, you raised such a good point about it sounds like this is the real showcase event of the year for your team and a lot of attention and planning goes into this and you've been, your organization's been doing enough for 18 years.
Sounds like you've been along the ride for a number of those as well. What keeps you guys coming back to the drawing board with this event, what have been some of the biggest innovations with your gala in the past couple of years?
Tyler: Great question. So coming back from the pandemic, I think we will all agree that we're in a different place and, and I think that people's interests have changed, a great deal. and people are really wanting more immersive experiences. They really want to not be spoken at or spoken to, but engaged as, as part of, the conversation that we're having.
They want to feel more of a connection to the children and their families that we're speaking about from the stage. And we're using technology in many ways to make sure that we're creating a more personal or personalized connection to those audience members in the room.
They've also shared with us that it's as much about learning what's going on in the world as it is about connecting with one another in the room. So that was something that was like definitely missed and something that people were craving during the pandemic that they wanted to make sure that we work on building our community of really, like the engagement is just as important as the fundraising, and people with UNICEF, and, the board members and people who have been involved in the event for that many years, they get so excited about bringing in new audience as well to into the fold to introduce them to the work of UNICEF.
I think that, it's not common that we hear that, or it is common that we hear that, that people have said, I know I'm familiar with UNICEF, like I've heard of UNICEF. What do you do every day? Is it something to do with kids? And so I think that events like these are a time for people to connect over the UNICEF mission and to, and to give back.
And so that's, really, one of the reasons why we've been consistently doing our event on Giving Tuesday for many years. We were actually always the Tuesday after Thanksgiving, and then giving Tuesday became a thing. And we just, we save the date and we continue to just ask people to reserve that day for us.
And so it's been incredibly successful. We've raised millions and millions of dollars through the gala, over many years. And this year we're set to raise 4 million and we will achieve that goal through both table sales, ticket sales, and then, sponsorships. And then we also have a live appeal that takes place that night in the room, where people can fund the need and they can raise their hand during a think of it more like a live auction moment.
But, instead of purchasing things for yourself, you are able to give back. They can pledge to send an emergency relief SUV truck to the field that can reach kids that are living in parts of the world that are difficult to reach. You can pledge a water pump, a community water pump that provides clean water to a community that is not just an immediate need, but something that can serve a community for many years to come. It’s so impactful and I think that’s just what keeps my team and I going.
Rachel: It's not just a KPI on your sheet. It's actually impacting a life, which is so much better.
Elizabeth: Yeah, and even like just creating that opportunity, not even knowing where the cap is, like that evening, that it doesn't just stop with the sponsorships, but that you have the power to create the atmosphere, to drive change in that moment is really cool. And I think something completely unique to the nonprofit event space.
That makes it challenging but also really exhilarating and rewarding. I'm really curious. It sounds like you listened to your attendees and there's a group that kind of is really invested and comes back year after year, and maybe they're even part of your marketing. How have the role of these volunteer leaders or organizers evolved and how do you rely and coordinate with them as part of your outreach and engagement for that event?
Tyler: Yeah. So this is something that we're talking about a lot now that we have a core group of supporters that attend the event year after year. We have data that shows at around 33%. We have retention year over year from like a core group of supporters, that's an average across all of the events that we do.
And so the rest of that, the rest of the room is, are new audiences that are coming back, or coming to the organization new. And that's a testament to our board members, our committees who are working with us year after year to make sure that they're reaching out to new groups.
So some years I think, board members are looking to new corporations. They're thinking about the UNICEF programs that are very top of mind in that year and the companies that have similar interests. So climate and clean water and emergency relief, which companies are inspired to give or give back in those ways. How, where are the similarities in terms of just the scope from company to, to organization? Yeah, it's definitely like a moving target or cycle from year to year in terms of audience reach.
Elizabeth: Yeah. I think it's really fascinating how much nonprofit events really are brought together by the volunteers and the attendees themselves, right? It's such a galvanizing movement leading up to the event. How are you, capturing on like new attendee engagement?Are you generating buzz like before the event through word of mouth?
Are you following up with them after with new content or updates? Talk us through how you keep the community going.
Tyler: Yeah. This is a great question. I think like there are a lot of different tentacles, the ways that we do that. It's not just my team, but, but I think, I work with a number of colleagues who. generate buzz around the event. So I think a part of it is word of mouth, the word of mouth, the board members and event attendees that have attended the event in the past.
We also have a really fantastic group of colleagues who are working on PR efforts and not just promoting the stage participants, so those performers or entertainers that are a part of the evening, but also the theme or the focus of the event. So this year our focus is gender equity and girls and women. And that's going to be like a big part of our messaging and we're thinking about right now, the different communities or community leaders who would want to be a part of that event. We're thinking about companies that have supported UNICEF in the past that have potentially lapsed, companies that have a special affinity for girls and women.
We're reaching out to even the people that we're hiring to work with us. So our vendors are part of our outreach pool. Yeah, I think that, it's definitely like a big effort that goes into establishing the buzz or like building the audience. but one other thing, it's not just the before, I think, equal importance to the after.
So after each event takes place there's a team at UNICEF USA that is specifically focused on stewardship. The media, the minute that the event ends, we think about how can we give this event a very long tail? The event is an incredible investment for UNICEF USA. And so how can we maximize that investment? I think Cvent does a really good job of this too, by the way. you immediately leave Cvent CONNECT and you get like a survey, and you're following up with the people who are attending that conference. And UNICEF has a similar philosophy and we want to keep the engagement and the conversation going. Because you're learning a lot at a gala like the UNICEF Gala, and we want to not only get people's thoughts about what their experience was, but also what was most interesting to them about the event. Then we have a great team of people just standing by to follow up on those interests.
Rachel: I am sure there's so much that you can do and learn about too that you need to be followed up with because you may have missed it at one of those amazing events that you produce.
Elizabeth: Or that's something we're finding is the attendee journey, as we call it at Cvent, can look really different and unique within the nonprofit space when you're looking to engage as a volunteer or a donor, not necessarily like a one-time sales trade show conversion, right? It's a really different story. It's a really different model. I love that you were able to just speak to that. Are there other ways in which you, your other events in your program kind of contribute to this long tail?
Tyler: Yeah. yes. We're diversifying currently our event strategy moving forward. And in the past, as I mentioned, we've been doing a lot of, more formal seated, fundraising. dinners, they tend to take place in the evening. They are traditionally called galas. In the future we're looking at cultivation events.
We've found that some supporters really feel more comfortable in a more intimate setting. They want to be able to ask questions, or CEO or or specialists, in the field of child education, nutrition. So we're hosting more intimate, like cultivation events that are more geared towards 50 to 60 people.
We're doing 13 of those events around the country, each year. And those are in addition to the bigger gala that'll take place in November, which is for hundreds. So we're expecting like around 800 people. Then, and then, as we look to the future as well, we're also looking at, we've seen incredible growth in community fundraisers, third party fundraisers. A lot of events are taking place where people are contacting us and they're offering to host an event on our behalf. So they can reach out to our team and say, I want to do a bake sale, or, I have this great connection to a performer and I'd love to do a concert for UNICEF.
So the way that works is that there's a form that you can fill out on the UNICEF USA website. And, we just ask some questions to make sure that our values are aligned with yours. And then you get approved to have use of our in supportive UNICEF USA logo, and you essentially can produce an event on your own on behalf of UNICEF, whether it be, for your birthday or for Halloween. And then, then you can send us the check afterwards, whether there was money raised, at the event, or if it was, merely an event for advocacy. So that is growing this year. We will raise over 1.7 million just in those third party fundraisers, where people are just sending us the net revenue, for those events.
Rachel: So cool. I love that. Activate your base and recharge, reach beyond that.
Tyler: Yeah. Yeah, I know. And I'm like the stories that are coming from those events are just so impressive. Really great program.
Elizabeth: That's gotta be really cool to read about. You're like, oh, you're taking on the role of what I do a little bit in a way, and you're getting to experience some of the fulfillment there.
Rachel: We, we talked about that. I'm just getting a little bit, but we talked about that, doing that internally at Cvent, just saying, here's how you plan an event. Here's an event in a box for you. Just to our internal folks. Not the same thing at all, but. Yoursare way more important than that. I'm very curious about the nonprofit industry, in the event space.
Do you have associations that you're a part of, that you're, can bounce ideas off each other. Are you collaborating with other nonprofits to evolve and grow with them as well? I'm blind to that side of things. I'm obviously in the industry with you, but I don't know enough about the nonprofit world at all.
Tyler: Yeah, there are really fantastic forums. I'm on this huge email list with a lot of other nonprofit arts organizations in New York, that are just constantly, chiming in with ideas, referrals. There's a shared calendar where we make sure that there's no big overlap on major events or opening nights.
Yeah, there, I don't think that there's a week that goes by where someone isn't, saying hey, could you send us a list of producers that you worked with recently, or who are you using for fundraising on site? What platforms are working well for you? So there's just like a constant thread of ideas that are very inspiring.
Elizabeth: They’re helpful too.
Tyler: Yeah, definitely.
Elizabeth: Who doesn't appreciate a good referral locally?
Tyler: Yeah. there was a lot of that taking place, like during the pandemic and and and I think that like as soon as someone, as soon as someone sees that there's like a new, like more innovative way of doing an event, there's a lot of like info sharing.
So I've been in touch recently, with Charity Water, with Memorial Sloan Kettering, we had a lot of just like benchmarking conversations with different colleagues that save the children, that are doing events differently or, having a different approach to their style of events.
Rachel: Yeah. Wow. that's really cool. I like that you're bouncing ideas off each other, offer a common good cause
Elizabeth: Yeah, it almost makes me think we get a lot of folks who turn in tune into the podcast from all sorts of industries, but yours might garner some really specific attention given that we haven't had a nonprofit event professional on, I want to say in some time. Rachel can correct me if it's ever, what would you want to say to the other nonprofit event professionals listening to you talk about your career in your day-to-day life?
Tyler: Here's a plug for you. I would say go to Cvent CONNECT because I was
Elizabeth: That’s why we asked.
Tyler: I was really, so first of all, I just, some background about our relationship with Cvent. We started working together probably seven or eight years ago. We were looking for a system that was going to track RSVPs and streamline all of the data, for our CRM, for a summit where we were accepting reservations for students, for high school and college students, for board members, supporters, corporate partners. And, the more we widened our audience for that summit, it took place in DC the more complicated it got. We had a pretty complex registration and Cvent was, I think a really fantastic system for that particular event.
And the team was right there with us at customizing the registration process. And so since then years have passed now and we've sunset that,but we're still using Social Tables. And around the same time that we were working together in that first few years I went to Cvent CONNECT and I didn't really know what to expect.
I envisioned that I would be like one of the only nonprofit representatives there. And I loved how you divided certain areas of the conference to be, divided by industry. And I was really surprised to meet so many other event leaders. Yeah. And, really, like from the, there were a lot of collegiate organizations there that were using Cvent for their like, alumni events.
I thought that was great to get to connect with them. So anyway, again, shameless plug. I'm sad that I'm not going to be able to join you tomorrow. But, best of luck with the conference. I think it's really so well done.
Elizabeth: That's so great to hear and you're talking to the, one of the huge conference planners and then I manage a lot of our programming for the nonprofit industry. We're trying to go even deeper with specific sessions, and we've got two in-person meetups, but I'll put a plug for those listening.
Our whole customer marketing team has completely revamped our Cvent community experience, which is our online user platform. There's all sorts of quick one pagers and tips and tricks on how to do things, and there's an association and nonprofit user group that you can join. And it's essentially an industry forum to bounce ideas off of, to figure out how to do specific use cases or workarounds. And it's been really fun posting industry specific content there as part of the discussion. So anybody listening can join.
Rachel: Yeah. And we can link to these, for our listeners online. So you can get a little bit more information. But before we do that, Tyler, any closing remarks, advice, or anything else you want to share with our listeners in regard to nonprofit events, the industry, UNICEF in general. Just one final statement from you.
Tyler: Thank you so much for, for inviting me, again, so grateful to be included. I think, if I've sparked your interest about UNICEF USA. A plug that I'll give is that, last year my team worked on a short film. It's a short documentary film called ‘If you have’, it was one of the many projects that we did during this kind of void of live events, in 2020 and 2021.
And, we had the opportunity to work with Academy Award winning director Ben Proudfoot. So the film is online. It's you can find it at, ifyouhavefilm.org. I think a really fascinating 30-minute dive into UNICEF's work. For those that aren't as familiar with UNICEF's work, it really does a good job at capturing the intimacy and the emotional connection that UNICEF brings, and the value that UNICEF brings to so many lives. So check it out if you have time. and, and I think we can include the link maybe, or, okay.
Rachel: Yeah. We can put it, we can put it on our podcast page for our listeners.
Tyler: Okay, cool. Amazing.
Rachel: Awesome. Tyler, I'm going to have to check out this film because this sounds really amazing and the fact that you became an Academy Award winner. That's what I'm going to call it in my mind because you probably deserve it.
I'm going to have to check it out and so should our listeners. But I just want to say thank you to Elizabeth, and Tyler. Thanks for joining our podcast today. It's been a real treat, having a real life superhero on the podcast. So thank you for joining.
Tyler: Thank you so much, Rachel. It's so good to see you.
Rachel: Yeah, it's good to see you too. Major props. Thanks for all you do for the children in need around the world. You're my hero. And to our other superheroes listening. Thanks for joining us. If you have any additional things you'd like to share with us or questions, send us a DM on LinkedIn or a note greatevents@cvent.com.
Thanks for tuning in to Great Events. See you next time.
Event Planning for Accessibility: Tips and Best Practices
Accessibility and inclusion have always been important, but with rising numbers of people living with a disability, it's now, more than ever, a fundamental part of your event planning.
Whether staging a small meeting or a large conference, carefully considering accessibility will ensure all your attendees have a positive and inclusive event experience.
Read on to learn practical tips and best practices you can implement to ensure accessibility is at the heart of your event planning — before, during, and after your event.
Why Event Accessibility Matters
Some 16% of people worldwide have a disability, according to the World Health Organization. Across the EU, the average is higher at 24%; in the UK, it’s almost 22% of the population (or 14.1 million people).
If your events aren’t welcoming and accessible for everyone, you’re likely missing out on the opportunity to reach a much wider audience.
Put simply, creating an accessible event means designing it to be open to anyone regardless of their physical challenges or hidden disabilities. Similarly, inclusion involves making everyone feel welcome in a diverse setting that supports equity for all those involved.
You’re also legally obligated to make your events fully accessible. Disability is one of nine ‘protected characteristics’ defined by the 2010 Equality Act — making it illegal for any business to discriminate against persons with disabilities (or PWDs).
Understanding Accessibility Needs
Many different types of disabilities and PWDs will have different access needs. Other people with the same disability may also have different access requirements.
Some disabilities are visible, while others may not be immediately apparent – such as certain neurodivergent states or mental health conditions. So never assume and always ask what additional accessibility measures you can implement to make your events truly inclusive.
Here are some examples to consider planning for as part of your event.
Mobility impairments
Visitors with restricted movement may use wheelchairs or mobility scooters. For them to get around your event comfortably and safely, accessibility solutions like ramps, lifts, wider aisles, and allocated parking spaces should be provided.
Visual impairments
For visually impaired visitors, you should consider accessible solutions such as braille signage and audio description. Large print options also provide additional support so everyone can access information equally.
Something as commonplace as color blindness can significantly impact a person’s decision to attend an event. So remember to keep visual design elements simple and never color-code your event features or agenda.
Hearing impairments
For those visitors who may struggle to hear and understand on-stage presentations, you’ll need to consider using sign language interpreters, captioning services, and audio amplification devices.
Cognitive disabilities
Visitors with cognitive disabilities may face difficulty understanding or interpreting information and sensory stimuli.
To make your content and design accessible for them, you should keep text-based language (e.g., signage, flyers, and agendas) simple and provide visual cues and sensory-friendly spaces.
Neurodivergent conditions
Autism, ADHD, dyslexia, and other neurodivergent conditions significantly impact a person’s ability to engage with traditional event design, such as crowded, noisy theatres or interactive networking.
To cater to people with neurodivergence, you should provide sensory-friendly environments, quiet areas of respite when needed, and prior notice of changes to schedules or routines.
Mental health conditions
Mental health conditions like depression, PTSD, and anxiety can significantly impact a person’s emotional or psychological state. To support individuals with mental health difficulties during your event, you could offer accessible mental health resources and allow emotional support animals.
5 Steps to Planning Accessible Events
Let’s now look at the various stages of event design to determine where accessible planning can come into play.
1. Registration
The registration page on your event website is the first chance to find out what additional needs your attendees may have. So make sure your event registration page asks the right questions and includes checkboxes.
These could include questions such as:
- Do you require captions?
- Do you require a sign language interpreter?
- Will you be accompanied by a service animal or Personal Care Assistant (PCA)?
- Do you need wheelchair access?
By asking more detailed questions at the registration stage or contacting anyone who has requested specific requirements, you’ll create a positive first impression of your event and give yourself more planning time to incorporate additional accessible elements.
Be sure to include contact information so people can reach out with questions or requests.
2. Onsite Experience
To improve the onsite experience, put yourself in the shoes of a person with disabilities (PWD) and consider their entire attendee journey.
Wheelchair accessibility
For example, to accommodate visitors in wheelchairs, consider widening the aisles or adding some lower poseur tables. Don’t forget to assign a dedicated wheelchair area in your conference hall or break-out rooms.
PCAs
Other visitors with disabilities may be accompanied by a PCA, who is there to assist the attendee. You’ll need to ensure that:
- They’re given free entry
- They’re always able to sit next to the person they’re looking after
- You’ve factored them into catering numbers and room capacities
Service animals
The same goes for service animals such as a guide dog for a visually impaired attendee. You’ll need to ensure that:
- There’s a reserved space for them at the end of an aisle so that their dog can remain alongside
- You provide facilities such as drinking water and somewhere for a dog to go to the toilet
- Staff are made aware not to distract or fuss over a service animal
Wellness spaces
Quiet rooms and wellness spaces for anybody to take a break from the hustle and bustle of the show floor are a great addition to your event.
Stage sets and lighting
You may also need to reconsider audio-visual elements such as strobe stage lighting so that it doesn’t trigger photosensitive epilepsy.
3. Virtual and Hybrid Events
Making your events accessible also extends to virtual and hybrid formats. Here are some tips:
- Ensure that online presentations meet specific color contrast ratios to be accessible for people with visual impairments, including color blindness.
- Since not everyone attending virtually can see or interpret the presentation slides, ask presenters to explain visual content.
- If you can offer a sign language interpreter, make sure they’re always on screen and appropriate size to be legible.
4. Communication and Information Accessibility
Including accessibility information in the design of your pre-event communications is critical.
- For instance, add a simple line at the base of posters or flyers written in black text on a light background that reads, ‘Our theatre is wheelchair accessible’ or ‘A sign language interpreter will be available.’
- Check if presentation fonts are large enough to be read from the back row of seats, images are of high quality, and messaging is clear.
- If you’re using a sign language interpreter, ensure enough seats for visually impaired delegates are reserved in the front row. Having the correct lighting and background also ensures that the interpreter’s face and hands can be seen from the stage.
- If your event attracts a lot of attendees with additional needs, consider placing an “accessibility desk” by the entrance. Inform registered attendees that they may seek extra help from the desk attendant if they encounter any problems.
5. Staff Training and Awareness
Create a culture of inclusion by ensuring that everyone involved in the planning and execution of your event is given the same level of training.
For example, when an attendee arrives at your onsite registration desk, train staff to identify when a person needs additional time to respond or help with information, directions, or badge printing.
Your registration staff needs to know the correct way to interact with a deaf attendee or a visually impaired person who arrives with a service animal (e.g., don’t pet or fuss over the dog, don’t grab the attendee’s arm when giving directions).
Create a culture of inclusion by ensuring that everyone involved in the planning and execution of your event is given training.
Finding Accessible Venues and Facilities
There are many ways your choice of venue can impact how easily different people can get involved in your event - from moving freely around the building to feeling safe in an environment that won’t trigger a seizure or make them feel anxious or at risk.
When sourcing venues, consider both the accessibility within the venue and how your attendees may travel to your event.
Here are 10 venue-specific questions to reflect on:
- Can you reserve parking spaces for people who most need them?
- Is there ample space for mobility aids?
- Does the venue have an alternative accessible entrance? If so, will it remain unlocked during your event?
- Is the approach to the venue solid ground, or will you need a temporary pathway? Soft mud and loose gravel can be problematic for many.
- Does the venue have step-free access throughout? Can lifts be accessed without having to ask for a key? Are ramps of a gentle gradient (1:20), and do they have handrails on either side?
- What signage does the venue offer? Is the signage large and in high contrast? Embossed or in Braille? If not, can you put up your signs?
- Is there a loop system in your meeting room for hearing aid users? If so, is it working? Does anyone know how to switch it on or alter the volume? Will that person be there when you hold your event in the building?
- Does the venue offer ‘adapted’ toilets or gender-neutral toilets?
- Are there visual (flashing) fire alarms in private spaces, like toilets, to alert deaf or hard-of-hearing delegates of a fire? If not, consider what you must do in case of a fire alarm.
- Is space available for a multi-faith prayer room?
Using Event and Assistive Technology
Use technology to improve the accessibility of your events. Here are two ways technology can keep you on the right track:
Accessible Tools
Screen readers will convert text and other elements to speech or braille output for attendees with vision impairments or cognitive disorders.
If a site works with assistive technology, it mostly depends on the event platform, so please be sure to choose one that has been tested and verified to work with assistive technology, like screen readers.
To verify that an event platform meets accessibility standards, such as working with assistive technology, request a VPAT (Voluntary Product Accessibility Template) from the vendor. Cvent has VPATs for products such as our Event Registration, Attendee Hub, and others.
Ensure your event platform is compatible with third-party tools that allow audio content to be consumed in various languages for your global audiences.
Accessible Design
When designing event or registration websites, use a platform like Cvent’s Attendee Hub, which proactively lets you know when color combinations don’t meet accessibility guidelines to help support attendees with visual impairments or color vision deficiency.
Add alternative text to images and make it easier for those using assistive technologies, such as screen readers and braille displays, to navigate your event website and registration process.
Accessible Events Checklist
To recap…
Before your event
- Invest the time and effort to determine what PWDs may need from you or your chosen venue.
- Everyone’s onsite experience should be comparable, so assess the content and layout of your event for accessibility and ensure all staff is trained to provide customer support for all types of disabilities.
- Keep accessibility in mind when designing communications, online polls, and feedback forms.
- Use technology to improve the accessibility of your website and virtual event elements and the onsite experience for all.
- Ensure that your event platform works with assistive technology such as screen readers.
During your event
- Work with your chosen venue to ensure that additional measures can be added and specific requests are supported.
After your event
- When your event is over, don’t forget to ask for, and act on, feedback from those attendees who have requested additional needs.
- Always acknowledge feedback and think carefully about what you can do differently to improve the accessibility next time.
Next Steps
Accessibility in event planning is a must. With over a billion people, or 16% of the world’s population, experiencing some form of disability, making your events more accessible and inclusive is a moral and legal obligation.
For a deeper understanding of accessibility and what it means for your event planning, check out our on-demand webinar entitled: Accessibility and Event Technology: A Beginner’s Guide.
John Hunter
John is the Senior Manager of Event Cloud Content Marketing at Cvent. He has 11 years of experience writing about the meetings and events industry. John also has extensive copywriting experience across diverse industries, including broadcast television, retail advertising, associations, higher education, and corporate PR.